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Chinese Culture and History
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Shanxi Folk Songs Come to Beijing |
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Shaanxi province is one of the originally melting pots of Chinese
civilization. It is home to the famous Loess Plateau, the largest
plateau in the world made from loess, a windblown accumulation
of loosely deposited clay and silt, but a solid base for the folk
songs of Shaanxi. One of the people who have come from other regions
to contribute to this cultural base is Li Yarong.
Hello everyone. Welcome to another edition of China roots. I'm
your host Paul Kendall. Today we'll continue our musical journey
into northwest China to hear some beautiful folk songs from Northern
Shaanxi province.
The song you just heard is called Blue Flower, or Lan Huahua,
one of the most famous Shaanxi folk songs. It tells the story
of a girl by the name of Blue flower, who was forced by her family
to marry the 7-year-old son of a rich local man. The girl didn't
wish to yield to her fate, and in the last part of the song expresses
her resolution to revolt against the powerful family and run away
with her lover. The vivid story told within this song has moved
many over the decades and has even been adapted for stage drama.
Shaanxi province is one of the originally melting pots of Chinese
civilization. It is home to the famous Loess Plateau, the largest
plateau in the world made from loess, a windblown accumulation
of loosely deposited clay and silt, but a solid base for the folk
songs of Shaanxi. One of the people who have come from other regions
to contribute to this cultural base is Li Yarong. This female
singer works as a journalist for a Beijing-based newspaper, and
formerly studied sculpture in the Central Academy of Fine Arts,
with one of her works once displayed at a national arts exhibition.
Li has loved folk songs from an early age, but her life would
not have any firm connections with Northern Shaanxi folk music
were it not for a work assignment in the province. As she carried
out her journalistic work, she happened upon He Yutang, a local
folk singer. He Yutang's singing was so impressive that the journalist
decided to produce a music video featuring this peasant singer.
This music video cost Li Yarong 80,000 Yuan, but won her second
prize in the national Music Video Award of that year. So let's
have a listen to Yokel, the famous MTV collaboration between He
Yutang and Li Yarong.
Li Yarong said that she is crazy for the folk songs of Loess
Plateau. She calls the local songs ‘wild folk songs' for obvious
reasons. Li's singing is untamed and unrestricted, with no formal
techniques to speak of. For this singer, 'wild singing' should
evoke the same emotions as singing out the name of your lover
from a far-away place, a way of helping you to relieve your stress
and your thirsts.
The song you just heard is Sanshi Lipu, the name of a village.
The song was first heard in the 1940s and tells of the love affair
between Fourth Sister and her lover. To find the story behind
the song, Li went to different places in the province looking
for the real life Fourth Sister. The results were both disappointing
and upsetting. Fourth Sister is an old, married country woman
now, but has always been despised by her fellow locals who consider
her arbitrary love affair to have been indecent.
Another track which gives us a good impression of Li Yarong's
talented and free rendition of Shaanxi folk music is 'White Head-Towel
with Three Blue Strips'. It is not uncommon to hear such a song
in the countryside of Shaanxi, with the lyrics 'The white head-towel
has three blue strips. It's easy to see you, but hard to talk
to you. One is on the hill-top. The other is in the ravine. We
can never talk but we can just wave hands. I saw your village
but I can't see my love. My tears fall in the Artemisia weeds.
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| There are more than 20 types of folk songs in northern Shaanxi,
unsurprising when you consider that people sing in so many scenarios,
for example whilst they farm in the fields, tug boats, or drink
wine. Of these many styles, Xintianyou and Xiaodiao are the most
common. Xintianyou is usually very short and improvised by villagers
when they are herding or working in the fields. This kind of song
usually starts with a familiar local scene, such as the white head-towel
of the last song. The lyrical phrasing is straightforward and even
fairly rough, but with clear accompanying rhythms. So, let's listen
to a song called 'Singing Xintianyou for all Time', which will be
followed by another piece in the same style, "Drive the Mule."
With all this talk of Northern Shaanxi folk songs, we can't miss
out the famous grass-roots singer Wang Xiangrong. Born and nurtured
in a small county of the province, the barren land and sever surroundings
brought poverty, but also imparted him with the rich culture of
song. Already in his fifties, Wang Xiangrong has previously worked
as a shepherd, a coalminer and a bricklayer. Without any formal
training, Wang Xiangrong sings pretty freely, despite the aforementioned
austerity of his homeland. Wang Xiangrong is known nowadays as
the greatest singer of Northern Shaanxi Folk Songs, and last month,
as a representative for grass-roots folk singers, Wang performed
in Beijing together with singers from other parts of China. The
planner of the concert was none other than Li yarong, the journalist
we mentioned at the beginning of the show.
Now let's listen to two songs from Wang Xiangrong. The first one
is Finishing Three Days' Journey in Two Days, and the second one
Can't Meet Up with My Good Woman.
Though mostly focusing on love, Northern Shaanxi folk songs also
cover other more social themes. In fact many existing folk songs
were created during from a period between the late 19th century
and the 1940s. Some songs tell the miserable life of the impoverished
and some tell of the revolution, with the next two songs falling
into the latter category, and going by the names of My Red Army
Man Returns and Morningstar Lily Blooms. |
| I'll leave you with a couple of songs both by the name of Going
to the West Gate. Because of the rigid geographical environment
found in Northern Shaanxi, the economy has grown very slowly. Local
people's life has been very hard, forcing the peasants to leave
the land and work in other provinces. Consequently, both of these
songs are about a woman seeing off her lover to work in distant
places. However, the similarities end there with each song having
its own melody and lyrics. |
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