Archive for the ‘Chinese Culture’ Category

Chinese Culture -Kungfu festival held in Swedish Capital- Study Chinese

Friday, November 11th, 2011

Stockholm Kungfu Festival 2011 was successfully held in the Swedish capital despite the rainy beginning of the day on Sunday.

“This was the first of its kind ever held in Sweden which attracted people not only from all over Sweden, but also from Russia, China and other Nordic countries to display Kungfu skills,” said Peder Finnsio, Project leader of the Festival to Xinhua.

He said the purpose of the festival is to display various styles of Kungfu skills, attract people’s interest and popularize this kind of art among people.

The Chinese Kungfu and Taiji were introduced into Sweden in late 1970s and early 1980s. Now there are over 20 Kungfu or Taiji clubs and associations all over Sweden.

“I practiced some Qigong and Kungfu, I feel it is good for physical well-being, I feel healthy not only physically, it is also good for mental health, I feel much calmer after practicing Qigong and Kungfu,” Max Finnsio said to Xinhua.

The festival began at 10:00 a.m. with Taiji performance in Kungstradgarden, a famous park in central Stockholm. With the heavy rain at the beginning, many people held their umbrella to watch the performance. While the group performed Taiji on the stage, some people imitated off the stage.

The performances of Kungfu teams won a lot of applauses from the audience.

Various Kungfu clubs also held exhibitions and Lion Dance was also held off the stage with a lot of applauses from the crowded audience.

During the festival, the Sanshou and Taolu matches were also held.

Hundreds of people participated in the festival and up to a thousand audience were attracted to the whole day event.

Chinese Culture -Love it, or hate it, but you just can’t escape it- Study Chinese

Tuesday, September 13th, 2011

A staff worker shows newly-cooked moon cakes during a Mid-autumn festival celebration activity held in Tianjin, north China, Sept. 11, 2011. Some 100 children from Tianjin and southeast China’s Taiwan attended the activity on Sunday. (Xinhua/Liu Dongyue)

BEIJING, Sept. 14 (Xinhuanet) – The Mid-Autumn Festival has come and gone but there is no escaping the mooncakes as yet. Whether you’re still picking pieces out from between your teeth, or clambering over extra boxes filling the kitchen, there’s bound to be some left over somewhere.

Filled with nuts, egg yolk, salted egg, bean paste, and other generic ingredients of the Chinese sweet, mooncakes are small, round, flaky pastries.

Except, unlike other food in China, they are monumentally expensive.

Like the ludicrous Christmas tat that flies around from about August in the United Kingdom (even more so in the United States), mooncakes have become a real commercial spinner. There are lotus mooncakes, ice cream mooncakes, chocolate mooncakes and jelly mooncakes. You can also buy them in Starbucks now. For the real gimmick-hunters, there are even “France mooncakes” (in red, white and blue).

A basic box in a 7-Eleven store will set you back at least 100 yuan ($15.70). In contrast, I ate out recently for 12 yuan. As they would say in the US, you do the math.

To show you really care about your nearest and dearest, however, the cheaper supermarket versions will simply not do. Go gourmet. Maybe, 500 yuan for a box of six.

Yet, despite all the cash that people fork out for “the” accompaniment to their Mid-Autumn tea, the chat around the mooncake is less than positive.

Recent news about the festival has exposed a “mooncake tax”. This was foisted on unsuspecting employees who were given “gifts” of mooncakes by their companies. This newspaper quoted an IT worker called Wang Youhua, who was charged 60 yuan in taxes for the box he was given at work. My own boss, in fact, decided to give us all a voucher for the bakery instead of mooncakes to avoid any problems.

Even taste-wise, I have yet to meet a single person who is actively enthusiastic about mooncakes. Unsurprisingly, Westerners sniff haughtily at the dried egg lingering at the core of the little pastries, but they are not the only ones.

The response from my Chinese colleagues ranges from “we eat them EVERY YEAR, I’m sick of them” to “they’re so heavy and sweet – urgh” to “They’ve destroyed weeks of gym work”.

One person told me that he came across a box of mooncakes covered in green mold in April that he had hidden in a bout of mooncake fatigue last year. So this year, his wife ordered him not to eat dinner over the festival weekend to leave room for the vast quantities of mooncake that will inevitably fill their house. Apparently, she caught him “accidentally” making noodles, which led to serious trouble.

In fact, the only person I know to speak highly of mooncakes is a certain Chinese friend-of-a-friend who talks about McDonald’s in similarly airy, worshipful tones. I would take her opinion that both these things are “so, so magnificent” with a proverbial pinch of salt.

And yet every second person I saw last week on the subway or strolling down the street was clutching a snazzy-looking bag of the darn things.

I reckon we’ve got a Chinese equivalent of the Christmas turkey or Crimbo pudding here, folks. We know we should get excited – just like we should get excited about the annual exchange of presents, kisses and exclamations of “my, haven’t you grown” with Great Aunt Morag.

When push comes to awkward-reunion shove, however, most would be happier with a sandwich and an evening spent watching Glee.

(Source: China Daily)

Chinese Culture -Making musical instruments in Suzhou- Study Chinese

Monday, September 5th, 2011

Making musical instrumentsMaking musical instruments

Suzhou, a city located in the south of Jiangsu province, has a long history of making musical instruments. Its techniques and the local characteristics of the instruments have made them famous at home and abroad. In 2008, the making of musical instruments in Suzhou was selected as one of China’s national intangible cultural heritages.

The manufacture of musical instruments in Suzhou dates back to the Spring and Autumn Period (770-476 BC), when bronze melting techniques in Wu State progressed. This led to production of bronze musical instruments. In 1964, nine chime-bells were excavated from Chenqiao Western Zhou Tomb in Jiangsu province. They are the earliest musical instruments in Wu discovered so far.

The making of musical instruments in Suzhou combines unique skills of several traditional handicrafts.

There are dozens of steps required, including wood cuts, wood working, polishing, carving, lacquering, inlay and tuning. Although today some processes are done by machine, most still are done by hand.

In every step, the makers try to achieve perfection. Each instrument must have a good quality of sound, as well as decorations pertaining to ethnic heritage.

The representative works of this cultural heritage include Erhu, Ruan, Guzheng, Pipa, Konghou and Bianzhong, as well as instruments with “Su” (abbreviation of Suzhou) in their names like Su Di, Su Xiao, Su Gong, Su Drum.

Suzhou’s musical instruments contain much cultural and artistic significance, as well as priceless historical value.