Archive for March 2nd, 2010

Chinese Pinyin – cai (菜)

Tuesday, March 2nd, 2010

菜[cài]

国标码:B2CB 部首:艹 笔画:11 笔顺:12234431234

vegetables
dish (type of food)

例句与用法:

  1. 我们在花园里种了许多蔬
    We’ve grown many vegetables in our garden.
  2. 这些蔬中的营养部分全都给煮掉了。
    All the goodness has been boiled off the vegetables.
  3. 在夏天我喜欢吃一些叶状蔬
    I like to eat some leafy vegetables in the summer.
  4. 我经常把一些豆茎当蔬吃。
    I always eat some beanstalk as vegetables.
  5. 马车上堆满了水果和蔬
    The cart is piled high with fruit and vegetables.
  6. 他最喜欢吃的是烤鸭。
    His favorite dish is roast duck.
  7. 你要把蔬煮熟还是生吃?
    Do you want your vegetables cooked or raw?
  8. 这家饭店以饭美味而出名。
    This restaurant is famous for its savoury dishes.

(Source: dict.cn)

Beijing Olympic – Modern Drama: Men and Women in the Mine

Tuesday, March 2nd, 2010

Presenter: Liaoning People’s Art Theatre
Director: Zha Mingzhe

Venue: National Centre for the Performing Arts-Theatre
Dates: April 30  – May 02, 2009    19:30
Price:  VIP    380    280    180    120    80 RMB (April 30&May 2)

Programme Introduction

Men and Women in the Mine is one of the “Series of Excellent Dramas by Outstanding Directors in the New Century – Zha Mingzhe”.

“We do not opt for suffering, but when confronted with it, we decide to take it on; we aspire to happiness, success, glory, but life has taught us tenacity, commonness and self-improvement are even more valuable; we can afford to lose whatever we have, but we shall never give up true feelings and hope; we are men or women, but whoever we are, we pursue value and dignity!” This paragraph was written by Director Zha Mingzhe in his director notes of Men and Women in the Mine. And the play itself is just about perplexity, anxiety, uneasiness and pertinacity demonstrated by the most ordinary people living under the double pressure of the “plight of survival” and the “predicament of spirit”.

Playwright Li Baoqun spent as long as two years in the mine collecting the woe and joy of common women mine workers and their constantly striving spirit of living for dignity when faced with dramatic social changes, which have contributed to the completion of a monumental play crying out for the times and eulogizing people at the bottom of society. The script moved maestro Li Moran and artists at the People’s Art Theatre of Liaoning Province so deeply that Liaoning Provincial Cultural Office and the Theatre decided to rehearse it and present it as a gift for China’s 100-year-long drama history.

In order to experience life, Director Zha Mingzhe went to the mine named “Ganzishan Mountain” of Fushun, Liaoning Province twice to do field research. He did not miss any one place, any detail or any of the various original states of living there. Filled with strong local lifestyle and radiating dense modern flavor, this excellent stage play reflects serious social life and destiny of ordinary people and is defined by directors as a play featuring “poetic style of realism”.

Synopsis
At modern times, in Northeast China, a major state-owned coal mine with a long history is about to be shut down due to its chronic exploitation and exhausted resources. All the miners are in the face of changing jobs, especially a group of women workers from the women coal-picking team who have spent years picking coal on the Ganzishan Mountain. The women workers are more in trouble, for their life and fate have undergone violent unrest and unprecedented impact. What should they do in the future? How can they make a living henceforward?

The personalities and family backgrounds of these women workers vary greatly, ranging from a model worker dragging a mute girl for years, a widow whose husband died in a mine accident, a financially-burdened family with severely sick patients and both the old and the young, and young and beautiful girls full of dreams. All of them have dedicated their youth, shed blood, sweat and tears for the People’s Republic of China, but still live at shabby low-rise squatter settlements.

Qin Tiezhu, branch secretary of the women coal-picking team, is the only man of the team. Formerly a very good underground miner, Qin is assigned to the women coal-picking team after injuries. He is an optimistic, humorous and amicable man with bold personality and integrity. As he loves telling lies and cracking jokes, others give him a nickname: “Happy Qin”. In the face of the plight of his sisters, he tries various ways to help them out, giving them money for living with his own savings, appealing to leaders for attention and solution, encouraging them to hold on, assisting them in search of all kinds of ways to start a new life, and also suffering various misunderstandings and complaints of the women he was attempting to help…… He only has one wish: to take good care of them even at the expense of his own life, encourage them to cheer up again, overcome the obstacle and cross the threshold together with them.

In that special period of time, people help and support each other in the bitter cold of winter. “Happy Qin”has finally won the hearts of women, developed profound friendship with these amicable and lovely women and got the respect and support of them. More importantly, he has reaped the most precious love.

The men and women living at the squatter settlements also get the concern of the government. The government decides to tear down the large area of the old squatter settlements that have been lived at for decades and build new buildings. Everyone is burning, bit by bit, their hope and aspiration of life.

At the night of the traditional Chinese New Year, the women living at the squatter settlements spend the toughest time of life together. They gather together, looking forward to a brand-new future life full of dreams. Their dreamed-of new buildings are to be finished, so they will bid farewell to the squatter settlements and to their heavy burden of the past…… However, at that time, “Happy Qin” loses his own life to save a brother miner in a private small coal mine incident. His soul shows up at the deep part of the Ganzishan Mountain, looking at the women in the squatter settlements and emotionally pouring out his dreams at heart.

— With the Suona horn and Jinghu played, men and women are dancing to the music;
—Between heaven and earth, it is snowing thick and fast, the high-rise Ganzishan Mountain stands upright in the strong wind and drifting snow across the sky.

Director: Zha Mingzhe
Zha Mingzhe, state first-grade director, PhD in Directing and Vice President of National Theatre Company of China, graduated from the Central Academy of Drama and Russian Academy of Science of Drama Arts. He and his works have won many national awards. He was praised as Excellent Director in the New Century and one of the Chinese Outstanding Young and Adult Artists by Chinese Theatre Association and Chinese Theatre magazine.

(Source: ebeijing.gov.cn)

Cir – Lesson 615

Tuesday, March 2nd, 2010

by Xinhua writers Zhou Yan and Nan Ting

BEIJING, Nov. 11 (Xinhua) — Dong Yue gets up at 5:50 a.m. for an hour-long bus trip across the city to her school. The six-year-old springs up the minute her alarm clock goes off, though she often dozes off during the bus ride.

For Dong, a first-grader at Haidian Experimental Primary School in western Beijing, being punctual at school is important.

Dong and her classmates all cherish the stickers their teachers give them for punctuality, concentration in class, high quality schoolwork and active participation in classroom activities.

Every 10 stickers can be swapped for a certificate of merit and for every five certificates of merit, the children can get awards ranging from sweets to erasers, pencil sharpeners and exercise books.

Unlike their parents who were scolded as kids for being late or disrupting class, Dong and her classmates face losses of stickers, and are always given chances to make up by helping clean their classroom or contributing hand cleaning gel to their class.

Among Dong’s heroes are NBA player Yao Ming and Olympic champion hurdler Liu Xiang. “Canada is good, but they don’t have our heroes,” she announced proudly after a visit to Alberta early this year.

At six, Dong admires Yao, the 7-foot-6 NBA star playing for Houston Rockets, mainly for his fame and the honor he has done to China.

Though Liu Xiang limped off to a trail of tears amid public expectation for another Olympic gold last year, Dong idolizes him for his past glory as well as his perseverance to get back to the track.

She knows nothing, however, of Lei Feng, Mao Zedong’s model soldier who spent all his time and money helping complete strangers and inspired her father’s generation.

ROLE MODELS OF THE PAST

Many Chinese born in the 1960s and 1970s recall their younger days when they were encouraged to learn from Lei. “Every day, I prayed the old lady living next door would tumble downstairs so that I could help her,” said Dong’s father, Dong Fuhai.

A famous joke of those days described how an elderly woman complained she was “helped” to cross the same street, back and forth, five times in an hour by children eager to do “good deeds” the way Lei Feng did.

Many proudly wrote down their “good deeds” in diaries.

Retired Beijing primary school teacher Liu Mingmei laughs as she recalls an embarrassing scene in 1982, when at least half of the students in her class wrote in their essays that they had “picked up a wallet” on their way to school and had turned it in to their teacher.

“When my colleagues read those essays, they all asked, jokingly,’ Liu, what have you done with all those wallets?’”

Other role models that inspired generations of Chinese included Liu Wenxue, who died at 14 in 1959 while preventing a man from stealing chilli that was collectively owned by a farming community in his home county of Hechuan, today’s Chongqing Municipality. The man strangled Liu to death.

“When I was a kid, most people were poor — so some attempted to steal,” said Ma Xiaofang, 50. “We volunteered to patrol the cropland at night and sometimes caught thieves red-handed.”

Ma, who was eager to become one of Mao’s “red guards”, said she was never scared. “We were taught to ‘fight courageously with criminals’ and ‘sacrifice ourselves to save others’ if necessary.”

These clauses were written in Chinese students’ codes of conduct for many years, until education authorities deleted them in 2003 to better protect minors and avoid pointless sacrifice.

CHANGED AND UNCHANGED

Sociologists widely believe that the three generations of Chinese born after New China was founded in 1949 bear distinct traits.

Those born and brought up in the 1950s and 1960s are known for their selflessness and heroism, while people born in the 1970s and1980s are marked by their broader vision, but self-centered nature, said renowned writer and juvenile studies specialist Sun Yunxiao.

The new generation are known for their strong personalities and ambition, he said.

“The open society and material abundance have enabled many children to be more confident. They tend to highlight ‘I’, while their parents and grandparents tend to say ‘we’,” said Sun.

In a globalized society, Dong Yue and her classmates have much in common with their peers in other countries: they begin studying English at kindergartens, and many of the books they read are international best-sellers, including the Magic School Bus science series and the works of Shel Silverstein.

At school they are taught survival skills ranging from how to survive fire and earthquakes to how to look after themselves in case they are left home alone.

Many are busy after school, doing sports, playing musical instruments, painting and getting involved in other activities.

Dong’s father proudly displays all the five violins she has used over the past two years in the family’s living room: “A unique decoration that makes the whole family feel rather accomplished,” he said.

China began to promote comprehensive education in the 1990s, in sharp contrast to the traditional way of spoon feeding book knowledge. Parents and teachers are encouraged to nurture children’s interests and cultivate their talents in diverse areas.

Though some parents are criticized for ruining childhoods with too much pressure and no time to play, it is widely believed among China’s urban, well-educated parents that early childhood training is essential in their children’s life-long development.

As if in response to their parents’ expectations, many children are better informed and aim higher in life, said Liu Baolin, an official with the Linfen education bureau in Shanxi Province.

“When I was a kid, I dreamt of growing up to be a teacher or a bus driver,” said Beijing-based accountant Wang Shumei. “But my 7-year-old son says he wants to be a zoologist dedicated to helping increase the giant panda population.”

“Compared with my generation, today’s kids are probably more spoiled, less persevering and more yielding in the face of difficulties,” said Chang Yongxiu, a primary school teacher in Taiyuan, capital of Shanxi Province. “But they are polite, active and full of potentials.”

After the devastating earthquake that shook Sichuan Province on May 12 last year, many youngsters stood out as heroes for helping their classmates survive. The perseverance of those who survived days after being trapped in darkness and pain also went far beyond expectation.

These are the same qualities of the role models of the past decades, says Sun Yunxiao. “Probably all of us have the potential to be a hero — and environment and education create real heroes.”

(Source: xinhuanet.com)