Archive for February, 2010

Beijing Olympic – Concert by Trio Di Clarone

Saturday, February 27th, 2010

Venue:  National Centre for the Performing Arts – Concert Hall
Dates: May 20, 2009  19:30
Price:  VIP   380   280   180   120   80 RMB

Programme Introduction

When Sabine Meyer, her brother Wolfgang and the clarinet player Reiner Wehle joined together to form the TRIO DI CLARONE in 1983, their interest in how the original divertimenti might have sounded played an important part. Immediately, it was obvious that five divertimenti of Mozart cannot form a complete concert programme. Rather than performing compositions of lesser quality by Mozart’s contemporaries next to the master’s ingenious works, they decided to contrast Mozart’s music with important compositions of the present day.

This mixture of Mozart and modern music soon became a success. Regular concert appearances in Germany and many other European countries as well as numerous broadcasting recordings and appearances on television have proved the popularity of this unusual trio, which also performed in the USA, Africa, Japan and China.

Programs
Wolfgang Amadeus Mozart
Four arias from The Clemency of Titus
For three basset horns
1. “Parto, ma tu ben mio”
2. “Torna di Tito di lato”
3. “Chi ciecamente crede”
4. “Non piu di fiori vaghe catene”

Carl Phillipp Emanuel Bach
Duet for 2 clarinets in C major Wq 142 (H636)
Adagio e sostenuto
Allegro

Aribert Reimann
Solo for clarinet in B major

Wolfgang Amadeus Mozart
Divertimento KV 439b for three basset horns
Allegro
Minuet
Adagio
Polonaise
Rondo allegro

Wolfgang Amadeus Mozart
Two arias from opera Don Giovanni, rearranged for basset horns
1. “Vedrai carino”
2. “La ci darem la mano”

Francis Poulenc
Sonata for two clarinets
Presto
Andante

Igor Fyodorovich Stravinsky
Three clarinet etudes

Wolfgang Amadeus Mozart
Three arias from opera Don Giovanni, rearranged for basset horns
1. “Madamina, il catalogo e questo”
2. “Non mi dir, bell’ idol mio”
3. “Riposate, vezzose ragazze”

(Source: ebeijing.gov.cn)

Chinese Culture – Egg tempera(1)

Saturday, February 27th, 2010

Egg tempera is the most powerful and reliable traditional painting medium that has no substitute. Executed with pigments based on chicken eggs, tempera painting thrived until the end of the 15th century when it was replaced by oil painting. Since its revival in the 19th century, it has been greatly expanded.

As a painting process that incorporates egg yolks to bind pigments together, the artist must mix his or her own paint by combining finely ground pigments, water and diluted egg yolk. The paint is then applied in a technique where the optical laws of egg tempera are observed to achieve the unique surface of egg tempera. In addition to mixing the paint, the artist also has to prepare the canvas.

Beginners think of egg tempera as a magical medium capable of solving all of the problems they encounter with drawing and painting. However, egg tempera is very difficult to master. Although it is unlikely that tempera will ever become a mainstream medium, it boasts a large group of devotees, both artists and collectors, around the world.

Characteristics of egg tempera

The term “tempera” comes from “temper” or “tempering,” which means to bring something to a desired or usable consistency. In this case, that something is a pigment. Egg tempera is one of the oldest, most versatile and durable methods of painting, generally unaffected by humidity and temperature changes. Tempera emulsions form their own protective surface film and do not darken with age as oil-paint film. Tempera dries rapidly and is water resistant, which means that one application of paint can be rapidly followed by another without color mixing. This unique property is a distinct advantage over ordinary watercolors and allows you to see one color through the other. A red egg tempera wash, for example, can be applied over a blue wash to produce a blue-red or violet color, whereas the result of this procedure with watercolors will create a muddy-brown hue.

Source: chinaculture.org

Cir – Lesson 612

Saturday, February 27th, 2010

“Where I’m going don’t ask me; My heart’s always with thee; Just a leaf of thy I am; My root’s grounded deeply in thine … ”

Have you ever heard the song — A Leaf to Its Roots? It tells of the great affection that the green leaves cherish towards their roots no matter where they are and how far away.

Roots are to leaves what traditional culture is to a child. A leaf is much attached to its roots, but not so attached as the affection from the roots.

The roots’ affection is as strong as a bowl of hot noodles. It is so commonplace that sometimes it draws little attention. However, if you just have some, you will feel cozy at home as it feels like “mommy’s love.”

The roots’ affection is as tender as a pair of ballet shoes. Put them on and you probably feel uneasy at first, but they will finally help you light up the elegance deeply resting in your body and enable you to observe the world from a higher point.

The roots’ affection is as rich as a traditional art, like Peking Opera. It opens for you an amazing world where you will feel closely connected to the masters of art.

Without nourishment from roots, trees cannot either grow healthily or maintain prosperity. Likewise, the healthy growth of children requires education about traditional culture.

Let’s take an example. For western kids, it seems useless to learn a foreign language such as Latin or Greek, but this knowledge could help the kids better know their traditions.

As for Chinese children, reading classics such as the Chinese Shi Jing (The Book of Songs) or The Analects of Confucius could help them improve themselves and have a better understanding of life.

As the Romanian-born German poet Herta Muller said, “You can’t build a future if you don’t have a past.” Tradition is the cornerstone of the future. Children should be encouraged to feel, understand and cherish their root culture. Only thus can a nation thrive in the long run.

It’s happy to see that our children are learning their traditional culture. Looking around the globe, Cameroon boys are engaged in wood carving; Kenya kids are obsessed with tribal dance; Russian girls are persevering with their beloved ballet, even though they have fallen thousands of times.

Time is traveling on and on. Like a leaf must experience a circle of life, culture is passed on from generation to generation. What is permanent is the deep affection between a leaf and its roots, the same as between children and their traditional culture.

Dear child, never ever forget that your roots are longing for your understanding and love.

(Source: xinhuanet.com)