Archive for February 16th, 2010

China Travel – Lijiang River(1)

Tuesday, February 16th, 2010

As the elite the Guilin landscape, the Lijiang River is a bright pearl among China’s beautiful mountains and rivers. Originated in Mao’er Mountain at Xing’an County, northeast of Guilin City, the Lijiang River winds its way southeast for about 437 kilometers via Guilin City, Yangshuo City to Gongcheng Estuary of Pingle County in Guangxi Province. The 84-kilometer-long segment from Guilin City to Yangshuo City resembles a green silk belt, winding among the peaks and the chains of mountains. The miraculous peaks, green mountains and blue waters mutually embellish, just as a 100-kilometer-long scroll. For several thousands of years, a great number of bookmen and scholars have been intoxicated with it. A segment of the mountains and waters of the Lijiang River are printed on the back of the new version paper currency RMB 20.

The voyage of the Lijiang River from the Guilin City to the Yangshuo City is about 83 kilometers, and it can be divided into the following three segments:

The first segment is from Guilin City to Yangdi (total 46km; 4 hours’ voyage). The scenic spots are a bit far from the waterway. The scenic spots near Guilin City include the Elephant Trunk Hill, the Pagoda Hill (Sword Hill), etc. Two hills named “Chuanshan” on the east bank and “Guishan” on the opposite west bank resemble a pair of fighting roosters.

(Source: chinaculture.org)

Beijing Olympic – Kunqu Opera: The Palace of Eternity

Tuesday, February 16th, 2010

Presenter: Shanghai Kunqu Opera Troupe
Playwright: Hong Sheng (Qing Dynasty)
Advisor: Guo Hancheng, Liu Housheng, Bai Xianyong, Yu Qiuyu
Lead Cast: Zhang Jun, Li An, Cai Zhengren, Wei Chunrong, Shen Yili, Zhang Jingxian, Yu Bin and Ji Zhenhua, etc.
Venue: National Centre for the Performing Arts – Theatre
Dates: June 11 – 14, 2009    19:30

Programme Introduction

Special Fund of the Ministry of Culture for Protection and Revitalization of Chinese Kunqu Opera
Shanghai Cultural Development Foundation
Program Supported by Special Fund for Culture Development of Luwan District in Shanghai

The Palace of Eternal Youth, a classic play created by famous playwright Hong Sheng in 1688, was highly praised by Emperor Kangxi of the Qing Dynasty after it was staged in the Forbidden City. Its poetic lyrics and beautiful melody push the creation of traditional Chinese opera to a new height. Its author voices his feelings towards the rise and fall of a nation, by placing the love story between Emperor Xuanzong of the Tang Dynasty and his favorite concubine in the context of An Lushan and Shi Siming’s Rebellion.

Excellent artists of Kunqu opera, both old and young, will perform together in The Palace of Eternal Youth, including, to name a few, Zhang Jun, Li An, Cai Zhengren and Wei Chunrong. The crew tries to be perfect even in details: costumes are embroidered and knitted by hand; the musical instrument “se” is modeled on an excavated artifact; besides, the staff reproduces the ancient “Dance of Fairies” to the largest extent. The play integrates classic and modern tastes and bridges the past and the present.

By retaining the essence of the original work and through simplification and structural adjustment, the play becomes more dramatic so that the audience can better appreciate it. The original 50 parts are condensed into four, namely, Fall in Love, Dance of Immortals, Parted Forever and Reunite in Lunar Palace. The play will be staged from June 11 to 14, one part per day and lasting ten hours in total. As all the four parts, though relevant, are independent of each other to some extent, the audience can enjoy all or only one of them.

Synopsis
The Emperor Xuanzong of the Tang Dynasty abandons himself to sensual pleasures in the later years of his reign and let wicked ministers hold the sway in the imperial court. The governance of the imperial court deteriorates. The Emperor’s favorite concubine Yang is a jealous lady and her brother Yang Guozhong seizes the power and takes bribes, provoking the rebellion by An Lushan, an important general commanding a large number of troops. As the defeated emperor flees to Maweipo, his escorts kill Yang Guozhong, and General Chen Yuanli and his soldiers force Lady Yang to hang herself in a Buddha shrine, bringing a slim chance of survival to the ramshackle Tang Dynasty.

The author combines the moving love story between the emperor and his favorite concubine in folklore and the adverse political influence of their love, and describes the emperor’s yearning for his concubine. In the end of the story, the lovers, who had been banished immortals, go back to the heaven and are reunited for ever.

Shanghai Kunqu Opera Troupe
Jingkun Young Performers’ Troupe of Shanghai was established in August 1961 and renamed Shanghai Kunqu Opera Troupe in 1978. The famous master of Peking and Kunqu Opera Yu Zhenfei was the first chief of the troupe. Its members include nine national first-grade performers, seven winners of the Plum Award for the country’s traditional opera performers, six winners of the White Magnolia Award for traditional opera performers in Shanghai, and six recipients of the State Council allowance. In 1986, the troupe won the first prize of Kun Opera Revitalization launched by the Ministry of Culture and is reputed as the “top-grade troupe boasting top-grade performers and performance”. It has a strong lineup that can play almost all kinds of roles in Kunqu opera.

Over several decades, the troupe has staged more than 250 traditional highlights from operas and more than 30 major shows. Apart from its performances in China’s mainland, it also frequently performs in the United States, Britain, Japan, Denmark, Sweden, Singapore and other countries and regions as well as Hong Kong and Taiwan every year, and is well received by local audience.

In particular, Fifteen String of Copper Coins, The Peony Pavilion, Sima Xiangru and Ban Zhao enjoy high reputation. Many of its performers are
accomplished and renowned: Cai Zhengren, Wang Zhiquan, Hua Wenyi, Yue Meiti, Ji Zhenhua, Liang Guyin, Liu Yilong, Zhang Jingxian and Li Xuemei (temporarily transferred) successively won the Plum Award.

As the new-generation actors like Zhang Jun, Shen Yili, Ni Hong, Li An and Gu haohao become mature in performance, Shanghai Kunqu Opera Troupe has a stronger and more dynamic lineup.

(Source: ebeijing.gov.cn)

Chinese Culture – Painting on Glass(5)

Tuesday, February 16th, 2010

These “paints,” which like traditional stained glass paints are actually finely ground glass particles with a relatively low melting point, are available in both transparent and opaque colors. They are applied, and then fired onto the glass using a kiln.

Because glass enamels are made of tiny glass particles, care must be taken to ensure that they are compatible with the base glass being painted on. As with any other glass, using incompatible enamel will result in cracking or poor adhesion.

Care must also be taken when using glass enamels that the fine particles are not inhaled. A respirator or mask is recommended to prevent this, as inhaling fine glass particles can cause silicosis, a serious and potentially fatal lung condition.

There are a number of ways in which glass enamels may be applied, but in most cases the enamels are applied and fired in several layers. This maintains the integrity of the colors and also helps to achieve effects that would not be possible in a single firing. It is not uncommon for enamels to require four or five or more firings before the work is complete.

The most common ways to apply glass enamels are by brush, by dry sifting the enamels onto the glass, and by screen-printing.

** Brush application

To apply enamels with a brush, you must first mix the glass particles with a liquid (called a “medium”) to obtain a paint-like consistency. Mediums may be oil or water-based, but water-based mediums have the advantage of generally being safer and easier to clean up. The key criterion is that the medium fires clear without leaving a residue.

The proper consistency for painting is approximately one part enamel to two parts medium, but this can vary depending on the particular enamels used. It is a good idea to mix the paints on a smooth surface (a sheet of window glass is ideal), adding the water drop by drop until the desired consistency is reached. Sometimes the paint will dry out a bit during painting and you will need to add a few extra drops of water.

Source: chinaculture.org