Archive for February 9th, 2010

China Travel – Heilongjiang River(1)

Tuesday, February 9th, 2010

The Heilongjiang River, the Sino-Russian boundary river, runs across the northern part of north China. Its headstream includes the northern source and the southern source. The northern source Shilka River originates from the eastern foothills of the Mount Kent in the Outer Mongolia, and the southern source Argun River originates from the western slope of China’s Great Hinggan Mountains. After the convergence of the southern source and the northern source at the Xiluoguhe Village, Mohe City, China, the river is called as the Heilongjiang River that runs eastwardly and finally empties into the Sea of Okhotsk. The Heilongjiang River flows across China, Russia and the Outer Mongolia. Its entire length is 4,370 kilometers, the 11th largest river in the world. Its drainage area is up to 1,843,000 square kilometers, ranking the 10th largest in the world. The drainage area within China accounts for 48% of the total drainage area.

The Heilongjiang River was known as the Yushui, Wanshui and Heishui in ancient China. The forests are luxuriant and the aquatic grasses are verdant wherever the Heilongjiang River flows across. The rich black humus in the soil is carried into the river by the surface water and the river water therefore becomes livid. The Manchu people living in the Heilongjiang River Valley call the river Sahalianwula, the Sahalian means the black color, and the Wula means the river. The name of the Heilongjiang River (river in the shape of a black dragon) was thus formed. Therefore, it is lively and visual to name the slightly black river that looks like a black swimming dragon as the Heilongjiang River.

The Heilongjiang River has total 200 more tributaries in which the large ones include the Songari River, the Wusuli River, the Zeya River and the Bulieya River.

(Source: chinaculture.org)

Beijing Olympic – Kunqu Opera: Peach Blossom Fan (1699)

Tuesday, February 9th, 2010

Presenter: Jiangsu Provincial Kunqu Opera Theatre

Cast: Shi Xiaomei, Hu Jinfang, Huang Xiaowu, Ke Jun, Shan Wen, Luo Chenxue, Shi Xiaming, etc.
Venue: National Centre for the Performing Arts – Theatre
Dates: July 10 – 12, 2009    19:30
Price:  VIP    360    260    160    120    80 RMB

Programme Introduction

The Peach Blossom Fan is the landmark of the Chinese ancient legends. Tian Qinxin, Director of the Kunqu Opera – The Peach Blossom Fan (1699) – has invited the world-renowned artists to present an immortal masterpiece that will be passed from generation to generation.

The stage design for the play highlights simplicity and smart space: the stage contains smaller stages, the cloisters on both sides are painted with the painting works of the Ming Dynasty – The Map of the Prosperous Southern Capital – a masterpiece comparable to Life along the Bian River at the Pure Brightness Festival, and the mirror floor clearly reflects the human figures to render the effect of the shining waves.

The stage will also present rare treasures: Almost 200 sets of performing costumes that are all manually embroidered; the music score that will be sung again by the people today; the fan inscribed by Yu Zhenfei, the Kunqu Opera master; the headwear passed down from the ancestors of the famous masters, and the Ming Dynasty furniture.

Shi Xiaomei, Hu Jinfang, Huang Xiaowu and Ke Jun, known as four “Plum Blossoms”, will show up on the same stage to give a classical performance by three generations of Kunqu Opera actors.

Synopsis
Using a peach blossom fan as the plot, the play expresses the emotion of rise and fall through the emotion of departure and reunification by elaborately combining the love story between Hou Fangyu, a famous scholar of Fushe, and Li Xiangjun, a famous prostitute in the Qinhuai River Region, with the political decay of the Southern Ming Dynasty. The play invites deep thinking and review.

Hou Fangyu got to know Li Xiangjun in a Nanjing brothel, and got engaged with each other. Ruan Dacheng, a remnant of the eunuch party, sent trousseaux to Li Xiangjun in private to buy Hou Fangyu after knowing the hero was financially tight. Li Xiangjun saw through the plot of Ruan Dacheng, and insisted on returning the trousseaux. Later, Ruan Dacheng brought a false charge against Hou Fangyu, saying Hou was collaborating with Zuo Liangyu to betray the court, and Hou was forced to escape Nanjing.

After Chongzhen, the last emperor of the Ming Dynasty, hanged himself, Ma Shiying and Ruan Dacheng were in power again by supporting Prince Fu. They forced Li Xiangjun to diverse Hou Fangyu and marry Tian Yang, a follower. Li Xiangjun preferred to die rather than yield, and committed a suicide, with her blood sprayed on a fan, on which a love poem was inscribed. Yang Longyou, a friend of Hou and Li, painted the blood spots on the fan into peach blossoms on bent branches, and named it “The Peach Blossom Fan”.

The Qing troops marched southwards, defeated Shi Kefa, a general of the Southern Ming Dynasty, and overthrew the Southern Ming Dynasty.

Hou and Li met each other again after ups and downs. However, where would be their end after the country was destroyed.

A Taoist surnamed Zhang on the Qixia Mountain enlightened them, saying “The Peach Blossom Fan was broken”. Then, Hou and Li then became the Taoist worshipers.

(Source: ebeijing.gov.cn)

Chinese Culture – Painter of Great Men: Wei Chuyu(1)

Tuesday, February 9th, 2010

Known as a “Painter of Great Men,” Wei Chuyu, now a professor of fine arts at Renmin University in China, is recognized particularly for his vivid oil paintings of Mao Zedong, the first chairman of the Communist Party of China (CPC) Central Committee. One of his major works, “Searching the Truth”, depicts a senior Chairman Mao reading among an enclave of books and magazines on a ragged, patched-up bed in his room at Zhongnanhai, the seat of China’s central leadership in Beijing. The oil on canvas attempts to capture the leader’s daily life and study.

Brief introduction

Wei Chuyu, who specializes in oil painting, Chinese painting and calligraphy, was born in 1945 in Wenshui, North China’s Shanxi Province. After graduating from the oil painting department of Zhejiang Arts Academy in 1970, Wei joined the People’s Liberation Army (PLA) and was stationed in Nanjing. In 1986, he was transferred to the Museum of the Chinese Revolution in Beijing.

Wei’s works of Chinese painting and calligraphy were on display both in China and abroad many times and have garnered several prizes.

The painter was introduced by China Central Television, Bangladesh Television, the People’s Daily, China Daily and the Dagong Daily in Hong Kong. Wei’s name appeared in The Dictionary of the Names of Chinese Artists and The Dictionary of the Names of Chinese Calligraphers.

Major works

Some of Wei’s best portraits, such as those of the mathematician Xiong Qinglai, architect Liang Sicheng, microbiologist Tang Feifan, physician Zhang Xiaoqian and military officer Luo Ronghuan, were chosen by the former Ministry of Post and Telecommunications to be printed in a commemorative stamp series called “Modern Chinese Scientists (third series)” and “The 90th Anniversary of the Birth of Comrade Luo Ronghuan,” which were sold throughout China.

Source: chinaculture.org