Archive for February 8th, 2010

China Travel – Huaihe River

Monday, February 8th, 2010

Ranking the 6th largest river in China, the Huaihe River is one of the important rivers in East China. The Huaihe River, an ancient river with a long history, takes its source from the highest Taibai Peak (also known as the Dafu Peak) of Tongbai Mountain in Tongbai County, Henan Province. The ancient temple, the Yuntai Buddhist Temple built during the Tang Dynasty (618-907), is on the Taibaiding Peak. A clear and limpid artesian well located at the north of the ancient temple is the source of the 1,000-kilometers-long Huaihe River. There are three spring mouths in the well, continuously spraying water.

The Huaihe River valley originates from the western Tongbai Mountain and reaches the eastern Huanghai Sea; its southern boundary consists of Dabie Mountains, the residual part of Wanshan Mountains and the Yangtze River reaches, and its northern boundary consists of the northern bank of the Yellow River, Yimong Mountains and the Yellow River reaches. The Huaihe River valley is located at China’s transition terrain of northern climate and southern climate, so the connecting line of the Huaihe River, Qinling Mountains and the Bailong River has been the geographic boundary of the North and South China from of old.

After originating from the Taibaiding Peak, the undercurrent of the Huaihe River flows into the cliff, passes through vale and bottomland and winds out the gorge, and it therefrom begins to surge eastwardly. The numerous rivers on the mountainous regions, highlands and sloping fields at the northern side and southern side take advantage of the topographies and flow into the Huaihe River. The Huaihe River takes the waters of thousands of rivers and accepts various tributaries on the way, so the water volume increases rapidly and the water level goes up promptly. Particularly, the Huaihe River sharply becomes a trunk stream after its converging with the Yinghe River at the Zhengyang Pass of Anhui Province, forming so-called marvelous spectacle that the Water of 72 Rivers Flows into Huaihe River at the Zhengyang Pass.

The 382-kilometer long upper reaches of the Huaihe River mean the segment from the river source to the Honghekou Estuary located at the boundary of Henan and Anhui provinces. This segment of the Huaihe River runs across the mountainous regions and highlands, so it has the characteristics of mountainous stream, e.g. the current is rapid and the stream always suddenly rises and drops. The middle reaches of the Huaihe River are from the Honghekou Estuary to the outlet of the Hongze Lake in Jiangsu Province. The northern bank of the middle segment is one part of the Huanghuai Plain, and the southern bank is the Jianghuai Highland (the watershed of the Yangtze River valley and the Huaihe River valley). The lower reaches of the Huaihe River are from the outlet Zhongdu of Hongze Lake to the Biandan Port (Sanjiangying Port) of the Huanghai Sea. The total length of the Huaihe River from the source to the estuary Biandan Port is about 1,000 kilometers.

The whole Huaihe River Valley features a warm climate, fertile soil and rich products. It is China’s earlier developed area in terms of economy and culture.

(Source: chinaculture.org)

Beijing Olympic – North Shannxi Yangko: Mizhi’s Women and Suide’s Men

Monday, February 8th, 2010

Presenter: Yulin Folk Art Troupe
Chief Director: Chen Xinyi
Lead Cast: Lei Jia, Wang Xiaoyi, Wang Hongwei, He Bin, Han Jun, Li Yong, Wu Hejin, etc.
Venue: National Centre for the Performing Arts – Theatre
Dates: July16 – 19, 2009    19:30
Price:  VIP    300    200    120    80    50 RMB

Programme Introduction

In north Shaanxi Province and even across the China, women in Mizhi have long been celebrated for their beauty while men in Suide are well known for their masculinity. A popular Shaanxi saying, “Mizhi’s Women and Suide’s Men, Qing Jian’s Flagstones and Wayaobao’s Charcoal”, justly praises their charming appearance and personality. Exactly how sweet and charming are the women and how attractive are the men? You will find the answer on a grand Yangko show (a folk art in north Shaanxi) to be put on at the NCPA on July 16.

The Yangko show, Mizhi’s Women and Suide’s Men, is sponsored jointly by the Publicity Department of CPC Shaanxi Committee and the Municipal Party Committee and Government of Yulin. It explores an ever-recurrent theme of immortal love and is full of humanistic ideals.

Mizhi’s Women and Suide’s Men is based on a book on which author Huo Linnan painstakingly worked for three years. It tells a moving love story, set to excellent North-Shaanxi folk music and full of local features and contemporary consciousness. What happens between a Mizhi girl called Qingqing and three Suide young men Huzi, Shiwa and Niuwa is related in an optimistic, healthy and humorous style, artistically presenting the profoundness and generosity symbolized by the Yellow River and the Loess Plateau. The show presents a vivid picture of the selfless love for the nation and the people.

The stage settings change with the plot development, but a tree, symbol of history and love, remains rooted on the loess earth. The audience will be glued to the north Shaanxi folk songs (in solo, duet or chorus) and dances, complicated plot and a touching love story that ends happily. The rich local flavor, the firm and pure love and the humanistic care are developed to the utmost by the music and dance.

This Yangge show has four acts, and its plot is breathtaking. Its strong lineup includes: the famous director Chen Xinyi as the general director; the vice chairman of Shaanxi Writers Association Bai Aying as the playwright; Zhao Jiping, Vice Chairman of Chinese Musicians Association, Chairman of Shaanxi Federation of Literary and Art Circles and Chairman of Shaanxi Musicians Association, as the music director and composer working with three other composers, Cui Bingyuan, Han Lankui and Li Xingchi. Moreover, the famous singers Wang Hongwei and Lei Jia are invited to take the leading roles.

To facilitate their creation, Bai Aying, Chen Xinyi, Zhao Jiping and others often visited Yulin to collect folk songs and rhymes. These result in the many excellent songs in the show. For instance, “There is a moon in Heaven and a person on Earth, the moon shines for the person and the person yearns for his love”. These brilliant lyrics and melodious tunes have been popular with the public.

The famous writer Chen Zhongshi wrote in Read Aying for a Second Time, “The lyrics in the show are nearly perfect!”

In 2008, Mizhi’s Women and Suide’s Men received nine awards in the Fifth Art Festival of Shaanxi Province, such as the Best Show, Best Playwright, Best Composer, and Best Honorary Director.

Synopsis
Huzi made an engagement with his childhood sweetheart Qingqing that he would marry her when growing up. After they grew up, Huzi turned a bandit after committing manslaughter for rescuing Qingqing. Qingqing later fell in love with the stonemason Shiwa who once rescued her. Another young man, Niuwa, also loved the girl. Shiwa swore to Huzi he would go out to make enough money to marry Qingqing and if he did not come back on July 7 of the lunar year, Qingqing would marry Huzi, instead. At the very moment when Qingqing was to drown herself in the Yellow River, Shiwa went back. Niuwa blamed Huzi for his stubborn love. Huzi admitted his defeat and arranged the wedding ceremony for Qingqing and Shiwa. In great agony, he was drunk. Sobering up, Huzi decided to go out to make money rather than continuing to be a bandit, and Shiwa got touched and decided to go with him.

Yulin Folk Art Troupe
Established on July 1, 1984, the Yulin Folk Art Troupe is among the national key professional performing troupes announced by Ministry of Culture of China. Ever since its birth, the Troupe has shouldered the responsibility and mission to discover, compile, research, inherit and develop north Shaanxi folk art, and it has created and produced over 200 folk song-and-dance shows. The Troupe performed in many important national and international events, and was received and highly praised by the Party and state leaders. In particular, it has made great contributions to performing events for international exchanges. In July 1988 the Troupe began their first performance tour abroad and visited France, Switzerland and Soviet Union for a month or so. From 1992 to 1996 the troupe went to Japan, Hong Kong, France, Germany, Switzerland, the Netherlands, Austria, Belgium and Brazil to give commercial performances, the first Shaanxi art troupe to do so. In January 2000 the Troupe went to Singapore to give performances. In January 2008 the Troupe went to Sydney and participated in the 2008 Spring Festival Cultural Event that was organized by Shaanxi Provincial Government. In April of the same year it participated in the Chinese Culture and Music Art Festival held in the U.S. city of Midland. The Troupe has traveled all over Asia, Europe and America, bringing the distinct north Shaanxi folk art to the world, therefore it has been cited as the provincial-level model for overseas cultural communication. “Rooted in the folk art” is the troupe’s motto in creation. “Going global” is its endless artistic pursuit.

(Source: ebeijing.gov.cn)

Chinese Culture – Mural Painting Art(3)

Monday, February 8th, 2010

The techniques of the mural painting

Only two techniques are employed in traditional mural painting: rock carving and strong-colored painting; while the modern mural painting uses many new kinds based on the traditional ones, such as ceramic firing, casting, marble sculpting and the inlaying of mosaic and purl. With the various modern techniques and materials, China’s mural painting art has entered a prosperous and innovative era.

The function of the mural painting in city life

The mural painting in the cities, as a kind of visual arts, which is in the public environment and enjoyed by the public, actively participates in constructing the current city. Its function in the city life is irreplaceable by other kinds of visual arts.

1.Convey the feeling and the concept

The mural painting, as a way of beautifying the city, not only satisfies people’s visual feeling, but also educates them. The artists along with the mass come to realize the various amorous feelings of life, nature and society through the mural painting and improve themselves through vibrant communications. The mural painting, like other artworks, can exert a subtle effect on people’s minds.

2. The share of the aesthetic resources

The mural painting, as the public art, takes the smooth communication between people as its highest goal. The mural painting shows itself in the public environment where people can enjoy freely, which reduces the distance between the art and the common people indeed. No matter which type the society is, its operation can benefit from mural painting.

3. The sign of the environment space

The mural painting can be enjoyed anywhere, both inside and outside because of its large and graceful pictures, which makes whatever it is painted on — a room, a storied building, a wall — become a striking sign.

3. Promote the tourism and entertainment

The completion of the large-scale mural painting especially the mural painting clusters attracts many tourists, which makes the place where the mural painting is located become a new scenic spot. Thus, with the proper layout and management of resources, mural painting can generate tourism and economic growth as well as culture.

Source: chinaculture.org