Archive for February 6th, 2010

China Travel – Yarlung Zangbo River(1)

Saturday, February 6th, 2010

The Yarlung Zangbo River, an international water system, is located at the Tibet Autonomous Region and a river with the highest altitude in the world. The total length of the Yarlung Zangbo River in China is 2,057 kilometers, ranking the 5th longest river among the famous rivers of China. It has a drainage area of 240,480 square kilometers, and ranks the 6th largest river in China. Its annual runoff volume to foreign country is 140 billion m3, ranking the 3rd largest in China, just next to the Yangtze River and the Pearl River.

The Yarlung Zangbo River, which finds its source on the Gyaimanezong Glacier in Zongba County in the northern foothills of the Himalayas, belongs to the water system of the Indian Ocean. The Yarlung Zangbo River flows from west to east across the southern section of the Tibet Plateau. It first runs across Mailing, then turns to north and east before sharply flowing south toward and then flowing into India. After it flows into India, its name is changed to the Brahumaputra River, which later meets with the Ganges River before joining the Indian Ocean from the Bay of Bengal.

The total drop height of the Yarlung Zangbo River is over 5,400 meters in China, so it is the most precipitous river in China. The upper reaches are from the river source to Lizi, with a length of 268 kilometers. The river valley of this segment is broad and even, the river water is limpid and many lakes are located at this segment. Various grasses on the both sides of the valley are lush and they are colorful and sightly during the flowering season. Though sparsely populated, it is the Land of Peach Blossoms for wild animals. The wild yaks, Tibetan antelopes, bharals and other animals can be seen everywhere. In addition, there are some precious animals, such as the Tibetan wild donkeys, tableland foxes, snow leopards and marmots etc. Some birds of rare species for viewing and admiring also inhabit in the valley of the Maquan River.

(Source: chinaculture.org)

Beijing Olympic – Ballet: Onegin (NBC 50th Anniversary Series)

Saturday, February 6th, 2010

Presenter: National Ballet of China

Venue: National Centre for the Performing Arts – Opera House
Dates: August 19-22, 2009    19:30
Price:  VIP    400    300    200    120    80 RMB

Programme Introduction

The three-act ballet Onegin was created by the legendary “ballet drama” choreographer, John Cranko, in 1965 based on Pushkin’s novel in verse, Eugene Onegin. Famous contemporary German composer Kurt-Heinz Stolze set it to music by using Tchaikovsky’s well-known piano divertimento The Seasons. The work integrates the merits of symphonic ballet and ballet drama and vividly demonstrates the innocent charm of Tanya and the flippancy and hypocrisy of Onegin. It remains the most exquisite of Cranko’s works since its advent. A neat structure and an innovative choreography which is well mingled with the music make it one of the most moving ballets in the 20th century. Even the laymen who understand little about ballet will fall under its spell, find an affinity with the protagonists and be concerned with their fate. This is exactly what Pushkin seeks by communing with his readers in his literary works. According to some critics, Onegin alone would establish Cranko as an esteemed master.

Cranko’s Onegin has long remained a prized piece in the repertoire of the German-based Stuttgart Ballet. The company’s artistic director Reid Anderson joked in the premiere party of the National Ballet of China: “I am really worried that the National Ballet of China will outperform Stuttgart and include Onegin in their repertoire.”

Synopsis
Act I, Scene 1 – Madame Larina’s Garden:
Madame Larina, Olga, and the nurse are finishing the party dresses and gossiping about Tatiana’s coming birthday festivities. Madame Larina speculates on the future and reminisces about her own lost beauty and youth.

Lensky, a young poet engaged to Olga, arrives with a friend from St. Petersburg. He introduces Onegin, who, bored with the city has come to see if the country can offer him any distraction. Tatiana, full of youthful and romantic fantasies, falls in love with the elegant stranger, so different from the country people she knows. Onegin on the other hand sees in Tatiana only a naive country girl who reads too many romantic novels.

Act I, Scene 2 – Tatiana’s Bedroom:
Tatiana, her imagination aflame with impetuous first-love, dreams of Onegin and writes him a passionate love-letter which she gives to her nurse to deliver.

Act II, Scene 1 -Tatiana’s Birthday:
The provincial gentry have come to celebrate Tatiana’s birthday. They gossip about Lensky’s infatuation with Olga and whisper prophecies of a dawning romance between Tatiana and the newcomer. Onegin finds the company boring. Stifling his yawns, he finds it difficult to be civil to them: furthermore, he is irritated by Tatiana’s letter which he regards merely as an outburst of adolescent love. In a quiet moment, he seeks out Tatiana, and telling her that he cannot love her, tears up her letter. Tatiana’s distress, instead of awakening pity, merely increases his irritation.

Prince Gremin, a distant relative appears. He is in love with Tatiana, and Madame Larina hopes for a brilliant match, but Tatiana, troubled with own heart, hardly notices her kindly and elderly relation. Onegin, in his boredom, decides to provoke Lensky by flirting with Olga who light-headedly joins in his teasing. But Lensky takes the matter with passionate seriousness. He challenges Onegin to a duel.

Act II, Scene 2 – The Duel:
Tatiana and Olga try to reason with Lensky, but his high romantic ideals are shattered by the betrayal of his friend and the fickleness of his beloved; he insists that the duel take place. Onegin kills his friend and for the first time his cold heart is moved by the horror of his deed. Tatiana realizes that her love was an illusion, and that Onegin is self-centered and empty.

Act III, Scene 1 – St. Petersburg:
Onegin, having traveled the world for many years in an attempt to escape from his own futility, returns to St. Petersburg where he is received at a ball in the palace of Prince Gremin. Gremin has recently married, and Onegin is astonished to recognize in the stately and elegant young princess, Tatiana, the
uninteresting little country girl whom he once turned away. The enormity of his mistake and loss engulfs him. His life now seems even more aimless and empty.

Act III, Scene 2- Tatiana’s Boudoir:
Tatiana reads a letter from Onegin which reveals his love. Suddenly he stands before her impatient to know her answer. Tatiana sorrowfully tells him that although she still feels her passionate love of girlhood for him, she is now a woman, and that she could never find happiness with him or respect for him. She orders him to leave her forever.

National Ballet of China
Founded on 31 December 1959, the National Ballet of China is China’s only national ballet company.  Its dancers and musicians are all graduates from professional dance academies and music conservatories across China. Since the day it was founded, the company has received continuous support from the Chinese government. In its early days, Russian ballet master Pyotr Gusev and other Russian teachers helped lay a solid foundation for the company using their experience in the Russian School of classical ballet. For more than 40 years, the National Ballet of China has introduced many outstanding classical ballets and contemporary ballet works to the Chinese audience. At the same time, it has attached great importance to creating a unique fusion between western classical ballet and Chinese culture. They have achieved this by creating their own ballets, which represents the varied characteristics of the Chinese nation. Today, the company has a broad repertoire and has successfully trained many generations of outstanding artists. Through international cultural exchange, The National Ballet of China has attracted the attention of the international ballet world.

NBC 50th Anniversary Series
Ballet “Sylvia” on December 01 – 02, 2009  19:30
Ballet “Peony Pavilion” on December 08 – 09, 2009    19:30
Ballet “Swan Lake” on December 04 – 05, 2009  19:30

(Source: ebeijing.gov.cn)

Chinese Culture – Mural Painting Art(1)

Saturday, February 6th, 2010

Mural painting art, a combination of architecture and fine arts, has infinite charm.

During the art form’s development, it experienced a period of resplendence before gradually declining. However, with the development of architecture, the mural painting is slowly making a comeback. The mural painting, which has been applied in construction frequently, is paid great attention to and accepted by most people.

The content of the mural painting

The mural painting’s content in the primeval period mainly reflected real life, such as hunting, grazing, planting, domestic animals, houses, dance, festivals, totems, and even witchcraft. It is said that heroic figures and historical stories appeared in the mural paintings as early as the time of the Yellow Emperor (Huang Di) and the Xia Dynasty (c.21st-c.16 century BC). Figures of Yao and Shun, both known as benevolent mythical Chinese rulers, and Jie, the atrocious emperor of the Xia Dynasty were painted with for propaganda and educational purposes.

The main mural painting artworks of the Han Dynasty (206BC-220AD) were later exvacated from the grave, which also reflected real life, historical figures and stories and fairy tales.

The content scope of modern mural painting, which often reflect the flavor of the ethic customs, splendid mountains and rivers, human civilization and science and technology apart from the traditional themes like historical figures and stories is larger than the traditional one.

The composition of mural paintings

The composition of the Han Dynasty’s carved stone mural paintings were not restricted by the space-time For example, the “war”, unearthed in Yinan County in East China’s Shandong Province, portrays the picture of the war incisively and vividly. The bridge is the main axis in the picture. On the right of the bridge is the leader driving the carriage and on the left is the fighting scene. Under the bridge there are marines boating in the river.

Source: chinaculture.org