Archive for February 4th, 2010

China Travel – Nujiang River

Thursday, February 4th, 2010

The Nujiang River is China’s important river flowing from north to south. It has its source on the southern slope of the Tanggula Mountain Range in Tibet Autonomous Region, flowing across the Tibet Autonomous Region and Yunnan Province, with a total length of 2,816 kilometers and a drainage area of 324,000 square kilometers. The name of the river is changed into the Salween River after flowing into Burma from China, and it finally empties into the Andaman Sea of Indian Ocean at the Moulmein. The upper reaches of the river are known as the Naqu River in Tibetan. The river is called Anurimei by the Nu ethic minority, Anu is the name of the Nu people called by themselves, the Rimei means the river, so Anurimei means the river dwelled by the Nu people.

The Nujiang River surges forward between Gaoligong Mountain and Biluo Mountain. The altitudes of all the mountains beside the two banks are over 3,000 meters. As the drop height of the river is high, the river water is rapidly rushing and the wave is high, forming a very spectacular sight. There are many steep cliffs at both banks. Flowing toward the south with an annual water amount of 1.6 times that of the Yellow River, the river is impinging against the banks and thus forms the steepy Grand Gorge of the Orient with high mountains and deep valley. As affected by the southwestern monsoon climate of the Indian Ocean, the Grand Gorge of the Nujiang River forms a special climate that there are four seasons in a same mountain and the weathers are different within five kilometers. It is a common phenomenon that the trees are verdant and green in the river valley that is sweltering as in summer, the flowers are in full bloom and the grasses become yellow on the sidehill, and the mountaintop is the world of ice and snow as in winter. Biluo Mountain is situated at the east of the Nujiang River and Gaoligong Mountain is standing at its west, with snow peaks around the Grand Gorge.

The most strategic places of the Nujiang River are the Shuangnawadi Grand Canyon and the Qinatong Canyon. The Qinatong Canyon, with a length of 65 kilometers, is located at the Naqialuo segment from upstream Bingzhongluo to the Qinatong, and almost there is not any flatland. The steepy cliffs are standing beside the two banks, while the primitive forest is stretching to the horizon. The Yaguang River at the common boundary between the Jiangdong reaches and Tibet has many waterfalls, the highest waterfall is over 800 meters in height and more than 10 meters in width. The Nakaluo segment of the Qinatong has high mountains and deep valley and it is the most magnificent section of the Grand Gorge of the Nujiang River.

The hydroelectric resources of the Nujiang River are rich. In addition, there are also rich mineral resources in the Nujiang River reaches, such as copper, iron, lead, coal, crystal, graphite, isinglass, etc.

(Source: chinaculture.org)

Beijing Olympic – Yu Opera: Chaoyang Ravine

Thursday, February 4th, 2010

Presenter: Henan Yu Opera Troupe III
Lead Cast: Xu Junxia, Yang Hongxia, Wang Xiangyun, Sheng Honglin, Li Yun, Liu Haigong, Lu Lanxiang, Pan Xiuyun, etc.
Venue: National Centre for the Performing Arts – Theatre
Dates: August 11-13, 2009    19:30
Price:  VIP    280    180    120    80    50 RMB

Programme Introduction

In 1958 when the great number of educated youth began to go to the countryside and work there, it took Henan opera performers only seven days to rehearse Chaoyang Ravine. They later performed at Huairentang of Zhongnanhai and the audience included Party and state leaders such as Mao Zedong, Liu Shaoqi, Zhou Enlai, Zhu De and Peng Zhen. When receiving the performers after the show, Chairman Mao said appreciatively “This is a wonderful opera!”

In the 1960s, the Henan Yu Opera Troupe III created Chaoyang Ravine, and soon after its public performance, the operatic work became popular throughout the country for its wonderful songs. It has been performed ever since its debut in March of 1958, and thanks to the hard work of three generations of performers, it has been regarded as the most representative piece in the repertoire of the Troupe as well as the opera community at large. It is therefore dubbed as “an evergreen tree” of modern Chinese opera. Mr. Xu Xin, one of the directors of Chaoyang Ravine and the former head of the Troupe said that the opera was born during the period of Great Leap Forward, but it still enjoys popularity today because it presents a heart-warming picture of true affections between people.

In 1963 the opera was made into a film by Changchun Film Studio which became the best seller that year. Yin Huan, a young girl with a pair of long braid and Shuan Bao, a handsome young man became the princess and prince charming for the educated youth. They were able to keep their romantic notions when most of them had to go to the countryside as their job opportunities in cities were denied by constant “class struggles” and weak national economy.

Chaoyang Ravine effectively depicts modern life using traditional opera expressions. Besides heroine Yin Huan, it portrays kind and honest farmers such as Shuan Bao and his parents, Auntie, and Old Party Branch Secretary. They all brim with new notions and feelings, and show the mental outlook of the farmers at the time of socialism. The language of this work is uniquely colloquial and local; its libretto is vivid and humorous and music is lively rhymed.

For over 50 years, Chaoyang Ravine has been shown on stage thousands of times throughout China. It was adapted to many other opera genres such as Peking opera, Pingju opera, Lv opera, Meihu opera and farce. More than 20 versions of Chaoyang Ravine were published and disc records were made by People’s Literature Publishing House, Beijing Publishing House, Music Press, Henan People’s Publishing House and other famous publishing house in China.

During the troupe’s 2001 rehearsal of the opera, Mr. Xu Xin, at the age of 78, led the performers to visit Jiaxian County, Henan Province for experiencing life. They invited over 20 representatives of educated youth to talk about their experience in the countryside to allow the performers to better understand the inner worlds of the characters. Mr. Xu added some ballet movements to improve the visual effects. Also the love story between the main characters is rendered more romantic (for example, flowers are used as a silent go-between and the girl and the boy hold hands to show their affections for each other).

At the time of the opera’s first performance, its props took only RMB 19.5. Some of the old props including Yin Huan’s shoulder pole, buckets and schoolbag, and the tobacco pouch of the Old Party Branch Secretary were used again for the new production of the opera. These old props have been treasured and carefully preserved by Mr. Liu Qingsheng, the Troupe’s props manager over the years.

Chaoyang Ravine is acknowledged as a milestone in the history of of Yu Opera and even the Chinese drama. Mr. Liao Ben, a famous drama critic once said:”Playwright Yang Lanchun, father of Chaoyang Ravine, has helped ripen modern Yu Opera”.

Synopsis
Shuan Bao and Yin Huan have been schoolmates for three years, and they love each other. Responding to the call of the Party, Shuan Bao decides to return to his birthplace, Chaoyang Ravine village to engage in farming. Yin Huan who was brought up in the city is thus caught in a dilemma. She wants to go with her boyfriend yet is afraid of the unknown life in the countryside. Her mother’s objection makes her even more hesitant. Later, persuaded by Shuan Bao and other classmates, Yin Huan decides to move to countryside with Shuan Bao and devote her youth to agricultural development.

Henan Yu Opera Troupe III
The Henan Yu Opera Troupe III was founded in October 1952, formerly known as Henan Provincial Opera Troupe. For more than 50 years, the Troupe, guided by the cultural policies set by the Party, has been keeping up with the times and making unremitting efforts in taking the responsibility of manifesting contemporary life. Owing to tireless efforts of several generations of writers and artists, they have achieved fruitful results in improving the old opera form of “Henan Bangzi”. After comprehensive reform and innovation, this time-honored folk art has been turned into a new genre of opera art. The troupe made a landmark contribution to the development of Yu Opera. In the past 50 years, it has rehearsed and performed over 200 opera works reflecting new era and new people, including Xiao Erhei’s Marriage, Liu Hulan, Chaoyang Ravine, Stubborn Father-in-Law and Stubborn Daughter-in-Law, A father Cannot Control an Adult Son, Red Haw, Son-in-Law of Mafeng Village, The Fragrant Girl and Village Official Li Tiancheng. The troupe was once received by Mao Zedong, Liu Shaoqi, Zhou Enlai, Zhu De and other older generation of revolutionists as well as contemporary central government leaders like Zeng Qinghong and Li Changchun. They have won New Repertoire Prize of Splendor Award as well as the Best Works Award organized by the CPC Central Publicity Department. In recent years, Xianghun Woman won a grand award of the Sixth China Art Festival, while Village Official Li Tiancheng has been listed into the Selected Repertoires of National Stage Art in the initial selection.

(Source: ebeijing.gov.cn)

Chinese Culture – Wang Jianhua: art with bronze wire(1)

Thursday, February 4th, 2010

Having appeared only in recent years, bronze wire painting is a young kind of industrial painting, which is done by first inlaying bronze wire into glass to form a particular design and then spray painting over it. Paintings done with such techniques are imbued with a strong folk flavor, looking a bit pompous yet simple and unsophisticated at the same time. It came into birth as a result of both the rich experience and unique inspiration of Wang Jianhua, the art’s creator.

According to Wang, the inspiration of bronze wire painting came by luck. At that time, he recalls, something went wrong with his radio, which he had had for so long that he was reluctant to discard it. He took the radio apart and found the problem in the regulator. Failing to find a right regulator in the shop, he set out to repair it on his own. He opened the regulator and put the bronze wires on to a table behind him. Turning around, he found they had wound up naturally on the table, which he thought was very nice. He was inspired and began to make paintings with bronze wires.

Ever since then, Wang Jianhua has forged an indissoluble bond with bronze wires. However, it is no easy job to replace the traditional line drawing of Chinese painting with bronze wires. First, he had to find something for the bronze wires to stick to. After numerous experiments, he chose organic glass, which is nicely transparent with good binding quality and whose surface is easy for things to be sprayed on.

From a chemical point of view, it is not easy to bind metal and organic glass, and still more difficult to arrange the bronze wires into design patterns according to one’s will. After two years of many failures, Wang finally came up with the right way. As the first step, he carved lines on the glass and then carved grooves along the lines. After that, he glued the bronze wires into the grooves. If necessary, heating can be used to ensure that the wires adhere firmly to the glass.

Wang’s first work of this kind was “Bronze Wire Painting of Landscapes”, the picture of which has since become rusted, but with the bronzes wires still sticking solidly to the glass, showing no signs of falling off. Today, not only the problem of rust have been solved, the making techniques have also become delicate and standardized.

Source: chinaculture.org