Archive for August 15th, 2009

Beijing Olympic – OR for Miankova in Women’s Hammer Throw

Saturday, August 15th, 2009
OR for Miankova in Women's Hammer Throw
Aksana Miankova celebrates. (Photo credit: Xinhua)

(BEIJING, August 18) – Aksana Miankova of Belarus has won the Women’s Hammer Throw gold medal in a new Olympic record of 76.34 meters in the Women’s Hammer Throw at the Beijing 2008 Olympic Games.

Miankova’s best throw put her well ahead of Athens 2004 silver medalist Yipsi Moreno of Cuba, who threw 75.20m, and China‘s Wenxiu Zhang, who threw a season best of 74.32m to claim bronze.

Miankova still leads the 2008 world rankings with her national record of 77.32m, the third best throw of all time. She threw 69.77m to qualify for the final.

Moreno came into the final ranked first, with a throw of 73.92m in the preliminary round on August 18. The Athens 2004 Olympic Games silver medalist boasts a personal best of 76.36m and multiple World Championship medals. She won gold medals in the 2001 and 2003 World Championships and finished second in 2005 and 2007.

Zhang threw the second furthest in Monday’s preliminaries, marking 73.36m, while Martina Hrasnova of Slovakia followed with 72.87m to take third place going into the final.

Darya Pchelnik of Belarus sits third in the world rankings, with a personal best throw of 76.33m. She passed through the prelims with 71.30m.

Germany’s Betty Heidler, who won the World Championships in Osaka, had two fouls from three throws, with her only marking throw reaching a distance of 70.06m, taking ninth place.

Former World Junior Championships silver medalist Martina Hrasnova of Slovakia owns the second best throw of 2008 with a personal best of 76.82, but only managed to throw 71.00m to take eighth place.

25-year-old Kamila Skolimowska of Poland won gold at the Sydney 2000 Olympic Games and was fourth in Osaka, but failed to make any of her throws count.

(Source: en.beijing2008.cn)

China Travel – Old Residence of Hong Xiuquan

Saturday, August 15th, 2009

The old residence of Hong Xiuquan is situated in Guanlubu Village, Dabu Town, Huaxian County, Guangdong Province.

Born in 1814 in Fuyuanshui Village, Huaxian County, Hong Xiuquan — the leader of the Taiping Heavenly Kingdom — later settled in Guanlubu Village. Having founded the God-Worshipping Society in the neighboring village in 1843, Hong went back to Guanlubu Village to engage in secret anti-Qing revolutionary activities. As a result, Guanlubu Village became the cradle of the God-Worshipping Society. Brewing revolutionary activities both in his hometown and in the Guangxi Zhuang Autonomous Region, Hong established the God-Worshipping Society Revolutionary Base in the Zijin Mountain Region of Guiping, Guangxi. He also staged an uprising in 1815 in Jintian Village, which spurred the dynamic war of the Taiping Heavenly Kingdom.

The single-storied residence, containing six brick and wooden rooms covered in tiles with an area of 16.5 by 5.5 meters, was built at the end of the Qing Dynasty (1644-1911). Having lived at the residence for more than 30 years, Hong also spent his youth there. An old-style tutorial school where Hong Xiuquan was a student and teacher, the ancestral hall of the Hong clan, including other structures, still remains near the residence. The original building was burned down by the Qing Government, and was rebuilt after the establishment of the People’s Republic of China. The current residence contains the Memorial Hall for the Hong Xiuquan Residence and the ancestral hall of the Hong clan, an exhibition attached to the memorial hall.

(Source: chinaculture.org)

Chinese Culture – Cultural Characteristics of Chinese Buddhist Temples

Saturday, August 15th, 2009

The introduction of Buddhism from India some 2,000 years ago was a major event in Chinese history. It now occupies an important position in China’s social life, while Buddhist structures have become an important building type second only to the palace, including Buddhist temples and pagodas. Following are some characteristics:

1. Compared with Christianity in relation to the West, Buddhism in relation to China has never risen to the mainstream position commanding the thought of the whole society. In China, there has never emerged a papal system, as the sovereign descends into the world, and the heart of the supreme domination has consistently been the monarch. Both China and the West preached that divine right of kings, but the West placed great emphasis on “charismatic”, while China put greater stress on “monarchical right”, and the divine right was only added a sacred element to the existing monarchical rule. This difference was also reflected in buildings. For a long time, the West has taken temples or churches as the mainstream, while China has always taken palace and capital city as the center of gravity, and the religious Taoist temple was placed in a secondary position.

2. At the beginning of the spread of Buddhism, the Chinese people began to transform it so that it carried a distinguishing Chinese characteristic in the course of its development. Therefore, from the very beginning, Chinese Buddhist architecture was not a simple transplantation of Indian architecture, but mainly China’s own creation.

3. Chinese religious architecture was also very different from the Western one in artistic character. The latter emphasized the “expression” of believers’ passion and fanaticism aspiring to a place in the Kingdom of Heaven. Therefore, the mysterious shadow changes, the unexpected figure, the domineering kinetic potential and the turbulent atmosphere became the keynote of its character. The former, however, emphasized the “reappearance” of tranquility and peace, nirvana. That’s why Chinese Buddhist architecture in most cases shows an atmosphere of serenity and affinity.

4. Chinese Buddhist temples have many points in common with residences and palaces. They both adopted the method of group combination with the courtyard as the main form.

The objects worshipped by believers are only relics, remains of Buddha, as well as souvenirs representing the experience of Buddha during his lifetime. Buddhist temples are divided into several kinds in line with layout, the main type of which is temples with a pagoda at its center. In this type, the open space in the courtyard provides room for monks to walk around. The towering pagoda is the main part in the design. If there are watchtowers in the four corners of the courtyard, they echo and set off the big pagoda, constituting rich scenery. The method of layout of temples built in the cities is similar to that of the complex of other large buildings. There are also quite a number of temples built in beautiful forests, arranged flexibly in an undulating land in close combination with the natural scenery of the local environment, and filled with a simple and warm atmosphere and displaying high creativity.

The development of Chinese Buddhist temples consists of three parts: From the Eastern Han Dynasty to the Wei and Jin dynasties (1st century-4th century), the beginning with the introduction of Buddhism; from Southern and Northern Dynasty to the Five Dynasty (mid-4th century – mid-10th century), the peak; from the Song Dynasty to the end of Qing (10th century   early 20th century), in decline.

Source: chinaculture.org