Archive for June 28th, 2009

China Travel – Taosi Site

Sunday, June 28th, 2009

The Taosi Site is located at the western foot of Ta’er Mountain, about 7.5 kilometers northeast of Xiangfen County, Shanxi Province.

The site is about 2,000 meters long from east to west and 1,500 meters wide from south to north, covering an area of about three million square meters. Excavations were carried out between 1978 and 1983 over an area of about 6,000 square meters. Over 1,000 tombs, ash pits, pottery kilns and houses were unearthed at the site, including a large number of production tools, daily utensils and decorations like pottery, stone, bone and jade ware. According to scientific studies, the site dates back to 2500-1900BC and plays a key role in exploring Chinese ancient class divisions, the country’s origin and history and the cultural development of the Xia Dynasty (21st-17th century BC).

The Taosi Site was divided into an early period and a later period. The main cultural feature of the early period was the thick-based, hand-made pottery pieces. The thickness of the pottery wall is uneven and its surface is multicolored. Such items were often decorated with rope patterns and had a flat bottom. Most of the early pieces include cauldrons and kitchen ranges, while later ware was thinner; the evenly baked pottery was made into regular shapes. Most ware was made of gray pottery and polished black pottery, which required a high heating temperature. The decorative patterns mainly included strips and rope shapes. Cooking utensils mainly consisted of the tripod, bi, and the round-mouthed and three-legged wine cup.

Early Taosi culture developed from the MiaodigouⅡCulture, and the later culture combined some elements from the Longshan Culture of Henan Province, including some of its own typical features.

(Source: chinaculture.org)

Chinese Culture – Prose Romance

Sunday, June 28th, 2009

Chinese fiction went through marked transformations in the Tang Dynasty (618-907). Although the subject matter was still about spirits and social anecdotes, compared with fiction created in the period of the Wei (220-265), Jin (265-420) and the Northern and Southern Dynasties Period (386-581), the plots became more intricate and complex, the characters more distinctive, the language more ornate, and the structure more expanded. Fiction of the Tang Dynasty was called “prose romances. The emergence of “prose romances” in the Tang Dynasty marked the maturity of the Chinese short story, because they went beyond merely recording anecdotes and became consciously creative literary works by scholars. “Prose romances” of the Tang Dynasty fell into three categories:

First, supernatural stories, which drew their subject matter from literary sketches. Famous works include The Story of the Pillow by Shen Jiji, and The Governor of the Southern Tributary State by LiGongzuo. The two stories ridiculed feudal scholars obsessed with fame and riches.

Second, love stories, which were the most valuable of the “prose romances” of the Tang Dynasty. Famous works include The Story of A Singsong Girl, The Story of Yingying, Prince Huo’s Daughter, Ren, the Fox Fairy, and The Story of Liu Yi. These stories praised faithful love and criticized the oppression of women by feudal ethics and customs. As well, they successfully portrayed a series of women characters that fought bravely for happy marriage.

The Story of A Singsong Girl describes the love between the prostitute Li Wa and Gongzi Zhi, a nobleman from Xingyang. By giving the story of the two lovers a happy ending, the novel condemned the idea of “two families must match in social status” and expressed appreciation for true love between men and women. The plot of the novel was complex and the characters well rounded in their portrayal.

The Story of Liu Yi tells of a romance between Liu Yi, a failed scholar, and Dragon Girl of Dongting Lake. Liu Yi helps Dragon Girl extricate herself from an unhappy marriage, and after a series of complications, the two end up getting married. Wonderful characterizations are the most successful part of this novel. Liu Yi’s honesty, Dragon Girl’s deep feelings and the explosive character of Qian Tangjun are vividly depicted. The novel’s adept way of contrasting reality with illusion exerted great influence on literature in later periods.

Third, heroic fiction describes the courageous deeds of swordsmen in punishing villains. The representative works include The Red Thread Maid and The Story of Xie Xiao’e.

“Prose romances” of the Tang Dynasty surpassed the fiction created by predecessors not only in its subject matter and ideas but also in artistic achievement. Many “prose romances” described a period or the whole life experience of a character in order to reveal his or her personality and development of thought. The “prose romance” of the Tang Dynasty was the beginning of the Chinese-style novel. Though relatively short in length, it began to take on the profile of a full-length novel.

Source: chinaculture.org

Chinese Pinyin – can (灿)

Sunday, June 28th, 2009

灿 [càn]

国标码:B2D3 部首:火 笔画:7 笔顺:4334252
lustrous
resplendent
glorious
bright
brilliant

例句与用法:

  1. 他说日落是多麽的辉煌烂。
    He said how glorious the sunset was.
  2. 他在烂的阳光照射下眨著眼睛。
    He blinked in the bright sunlight.
  3. 我们喜欢观赏初升太阳的烂光辉。
    We enjoy seeing the glorious beams of the rising sun.
  4. 星光烂。
    The stars were shining bright.

(Source: dict.cn)