Archive for June 21st, 2009

China Travel – Yongcheng Site of Qin

Sunday, June 21st, 2009

The Yongcheng Site of Qin is located in the south of Fengxiang County, Shaanxi Province.

Yongcheng was the capital city of the Qin State from the Spring and Autumn Period (770-476BC) to the mid Warring States Period (476-221BC). It remained the capital of the Qin from 677-383BC.

Covering an area of 11 square kilometers, the city was orderly arranged with interlacing streets. To date, three large-scale palace areas were discovered at the site. The No 1 temple constructions comprise the main gate, middle court, ancestral temple, the Zhao Temple, the Mu Temple and surrounding walls, covering an area of nearly 7,000 square meters. Its halls were all built on earth and wooden structures, with huge roofs. The site is the largest and best-preserved construction group of the period prior to the Qin Dynasty (221-206BC). The No 3 construction site covers an area of 21,800 square meters and comprises five palaces from south to north. It contains the most complete sleeping quarters of the period.

Covering an area of 21 square meters in the southwest of the city site is the mausoleum area of the Qin ruler where 43 large tombs and sacrificial pits were unearthed. The area has a standard layout that can be divided into 13 cemeteries. Excavations indicate that people of the Qin State had already formed a set of architectural concepts on the overall arrangement and design of the mausoleum. The shaped tomb is the most superior, and other tombs are shaped like the character  or a knife handle. The largest tomb is the No 1 Tomb of King Qin — so far the largest wooden coffin chamber discovered in China.

The No 1 Tomb has a coffin chamber 59.4 meters long from east to west and 38.5 meters wide from south to north, including a 240.6-meter-long path that covers an area of 400,000 square meters. Located in the middle of the coffin chamber is the main room, which is divided into front and back rooms. The front room represents the palace where King Qin discussed political affairs before his death; the back room represents the palace where he dined and slept. Over 600 cultural relics made of various materials, such as gold, jade, bronze, iron, bone, pottery, lacquerware and wooden cultural relics were found in the coffin chamber. Some relics, such as the golden woodpecker, white jade dagger and jade ornament resemble the jade horse head found in the Terracotta Warriors and Horses Pits of Qin Emperor Shihuang. They reflect the masterly crafts and well-developed techniques of the early Qin State.

Also unearthed at the Yongcheng Site were 67 large construction components made of bronze that reveal the unparalleled, luxurious style of Yongcheng Palace.

(Source: chinaculture.org)

Chinese Culture – Development of New Poetry

Sunday, June 21st, 2009

New Poetry refers to Chinese contemporary poems that first appeared around the May 4th Movement. Being different from classic poetry, New Poetry adopted colloquialism. During the development of Chinese literature, classic poetries, including poem, Fu, Ci and Qu, etc., had attained very significant accomplishments, but the creation of classic poems gradually became rigid in modern times. Clichés and affected poses abounded and vocabulary used for the classic poems was very different from everyday life language. Its strict rules and limitations for wording constituted a great bondage to express the increasingly complex social life and people’s real feelings. Therefore, the revolution of New Poetry was the first and most important step for the May 4th Movement of New Literature. At the beginning, the revolution focused on the abolishment of traditional poetry’s form, the use of colloquialism in poems and the expressions of the true feelings of the poets. Hence, the New Poetry was also called colloquial poetry at that time. In February 1917, eight new poems by Hu Shi were published in the magazine New Youth, which gave birth to the first batch of new poems. The first poetry anthology was Changshi Ji by Hu Shi in 1920, but the first work that displayed a brand-new expression form of art and thoughts was Goddess by Guo Moruo in 1921. It also contributed significantly to the establishment of the position of New Poetry.

Foreign poems, which had positive effects on the establishment of the art form, greatly influenced the development of the New Poetry. On the basis of Chinese classic poems, folksongs and foreign poems, many poets actively explored new ways of expression and art forms, which led to the emergence of realism, romanticism and symbolism, etc. in genres and freestyle, new rhyme, sonnet and prose poem, etc. in forms. The exploration of many poets and the masterpieces by some outstanding poets gradually led to the maturation and diversity of New Poetry. From the May 4th Movement, the New Poetry has always been the main form of Chinese contemporary poetry.

Source: chinaculture.org

Chinese Pinyin – can (蚕)

Sunday, June 21st, 2009

[cán]

国标码:B2CF 部首:虫 笔画:10 笔顺:1134251214
silkworm

例句与用法:

  1. 茧是由昆虫制造的一种由丝组成的外包层。
    A cocoon is a kind of silk covering made by an insect.
  2. 这些的吐丝量很大。
    The silkworms are producing well.

(Source: dict.cn)