Archive for June 20th, 2009

China Travel – Sites of Xianyang City and Palaces of the Qin Dynasty

Saturday, June 20th, 2009

The Xianyang City Site is located in the Xianyang Plain on the northern banks of the Wei River, 15 kilometers east of Xianyang City in Shaanxi Province.

Xianyang City was the capital of the Qin State during the Warring States period (475-221BC) and remained the capital of the Qin Dynasty (221-206BC) after it conquered the six states. In the 350BC, King Xiaogong of the Qin State moved the capital to Xianyang, where kings of subsequent generations erected many palaces. During the unification of the whole country by the First Emperor of the Qin, the architectural styles of the six states were adopted to build similar palaces in the Xianyang Plain. The emperor also expanded his own imperial palace, making Xianyang the most prosperous city of its time. The Xianyang City Site was discovered between 1974 and 1975.

Near the central axis in the north of the city is a group of palace ruins located on a high base. The ruins sit on the east and west sides of Shangyuangu Road of the Qin period, where the one on the west is named Pit 1 and the other, Pit 2. The construction ruins in Pit 1 are well preserved. This group of ruins was symmetrically distributed hathpace palaces after restoration. The site is 60 meters long from east to west and 45 meters wide from south to north. The ground floor is about 6 meters high and takes an L shape which can be divided into several small sections.

In the west section of the south part are five rooms arranged in a line, four of which on the west were bedrooms of imperial concubines where a number of murals and pottery spinning wheels were unearthed. The room on the east end has a fireplace and big pottery drainpipes inside and is presumably a bathroom. The main palace buildings were constructed on a high base 13.4 meters long from east to west and 12 meters wide from south to north, with the floor painted red.

To the southwest of Pit 1 is a palace built with complicated structure. The unearthed path inside the palace is 32.4 meters long and 5 meters wide, with colorful frescos on both sides of walls. The frescos describe the grand scene of Emperor Qin’s tour on the street with a line of vehicles driven by horses. Since most palace frescos have been destroyed, so these well-preserved ones are of great value and hold an important position in Chinese architectural history and art history as well.

(Source: chinaculture.org)

Chinese Culture – Exposure Novels

Saturday, June 20th, 2009

With the strong development of Reform Movements, the voices of reforming literature grew louder. Exposure novels, represented by Li Boyuan’s (1867-1906) The Bureaucrat: A Revelation and Wu Yanren’s (1866-1910) Strange Events for the Last Twenty Years, deliberately chose focus on reformism and expose the corruption of the government and the crimes committed by capitalist countries. Liu E’s (1857-1909) The Travels of Lao Can, another exposure novel appearing in this period, also uncovered social reality in the late Qing Dynasty through describing the experiences of a doctor. A Flower in an Ocean of Sin, by Zeng Pu (1871 -1935) was one of the more valuable of the novels created in the late Qing Dynasty. The novel satirized the corrupt way of life of the “highbrow” scholars.

Lao Can You Ji (The Travels of Lao Can), written by Liu E (1857-1909), is partly autobiographical and was published in a periodical. Lao Can is an itinerant doctor who during his journey through Shandong encounters the evils that suppressive bureaucrats put on guiltless people. Through his good connections to official circles, Lao Can succeeds in punishing at least one of the bad officials. In a vivid language, Liu E depicts scenes full of life, like the two dancing girls in the second chapter, and in a fantastic winter landscape. The book is a source for the daily life of peasantry in late Qing times.

Liu E was a poet, musician, medical practitioner and entrepreneur, as well as a novelist. He was also the earliest serious collector of oracle-bone inscriptions. He was a native of Jiangsu province and the son of a minor official, but himself decided against a career in the civil service and became involved in various enterprises, many with foreign interests. He was exiled to Xinjiang in 1908, on trumped up charges, and died the following year.

Niehai Hua (A Flower in the Sea of Sins) was written by Zeng Pu (1872-1935) and was published in 1905 as a writing of social criticism. The novel, full of citing from traditional literature and thus very difficult to understand for people that are not familiar with antique literature, is influenced by Western literature. Some of the heroes are veiled representations of real persons, making this novel a real critic of intellectual and courtier life.

Source: chinaculture.org

Chinese Pinyin – cai (彩)

Saturday, June 20th, 2009

彩  [cǎi]

国标码:B2CA 部首:彡 笔画:11 笔顺:34431234333
variety
color
applause
applaud
(lottery) prize

例句与用法:

  1. 旗增加了节日的欢乐。
    Color flags added to the gaiety of the festival.
  2. 我们欣赏着秋天里新英格兰树林的瑰丽色
    We are enjoying the resplendent colors of the New England woods in the autumn.
  3. 旗帜给街道增添了色
    The banner lent color to the streets.
  4. 这幅画的照片绝妙地再现了原作的色
    The photograph of the painting reproduces the colors of the original extremely well.
  5. 我喜欢市场上缤纷的色
    I love the gay colors in the market.
  6. 那顶帽子上饰有色珠子。
    The hat was decorated with colored beads.
  7. 你有色电视机吗?
    Do you have a color TV set?
  8. 她爱市场上的生趣、喧哗与多姿多
    She loved the life, noise, and color of the market.

(Source: dict.cn)