Archive for June 13th, 2009

China Travel – Site of Shang City in Shixianggou

Saturday, June 13th, 2009

The Shang City Site of Shixianggou is located near Shixianggou Village on the northern banks of the Luohe River, southwest of Yanshi County in Henan Province.

The Shang City Site of Shixianggou is about six kilometers away from Erlitou Site. First excavated in 1983, the city site is rectangular in shape and covers an area of about 1.9 million square meters. The whole site, which is buried underground is well preserved, except for the southern wall which has collapsed by the rushing Luohe River. Walls to its east, west and north sides were built with rammed earth. The city has seven gates and interlaced streets extending in all directions. In the south of the city site are three small cities arranged in an orderly fashion with a symmetrically distributed palace site in the central city.

According to historical records, the Shang City of Shixianggou is a site from the early Shang Dynasty (16th-11th century BC).

(Source: chinaculture.org)

China Travel – City Site in the State of Loulan

Saturday, June 13th, 2009

The Ancient City of Loulan is located on the west banks of the Lop Nur Lake in Ruoqiang County, Bayinguole in Xinjiang Uygur Autonomous Region.

The city occupied a very significant position on the Silk Road leading to the West during the Han Dynasty (206BC-AD220) and played an important role in promoting cultural exchanges between the East and the West. However, the city was later swallowed up by the desert. There are no historical documents recording the exact location of the ancient city, which has been buried for thousands of years. Reputed as the Pompeii in the desert, the city became a mystery of Chinese history.

In the spring of 1900, the Swedish explorer Sven Hedin accidentally discovered a huge Buddhist pagoda and the ruins of an ancient city that proved to be the Ancient City of Loulan. In 1979 and 1980, Xinjiang archaeologists carried out many excavations at the site.

The Ancient City of Loulan is located 89″55″-89″22″ east longitude and 40″45″-40″55″ north latitude. The city is an irregular square shape with the east wall stretching along 333 meters; the south wall, 329 meters; and the west and north walls, 327 meters each. There are gaps in the center of the south and north walls that were probably used as gates.

The tallest construction inside the city is a 10.4-meter-high Buddhist pagoda in the east of the city. The pagoda was built using adobe mixed with timber and has a square-shaped base about 19.5 meters long on each side. Five kilometers northwest of the ancient city is a 12-meter-high beacon tower made of clay and timber.

The most special construction site inside the city is the three-room site located in the middle. These three rooms are the only structures made from adobe. Sitting in the north and facing south, the rooms have wooden houses at their east and west ends. With traces of red paint, some of the timbers are 6.4 meters long. The rooms’ location and the architectural style suggest they were the site of the Loulan government office.

The constructions in the residential area southwest of the city have long perished. There is an ancient tunnel, however, stretching from the east to the west through the compound which archeologists believe served as a water source for Loulan residents.

Ruins of Buddhist temples, a beacon fire and tombs were also unearthed around the city, including a large number of cultural relics, such as a 5-zhu coin (24 zhu=1 liang, or 0.05 kilograms) from the Han Dynasty, coins from the Tang Dynasty (618-907), remnants of bamboo slips with Han and Khatoshthi characters, silk and wool fabrics, lacquers, wooden wares, jade ware, bronze ware and fragments of glass ware. Many excavated items, which were not made in the Central Plain areas, provide important materials for the study of the transportation and cultural exchanges between the East and the West, as well as the historical relationship between border areas and China’s inland.

(Source: chinaculture.org)

Chinese Culture – Piantiwen

Saturday, June 13th, 2009

During the period of the Wei (220-265) and Jin (265-420) and Northern and Southern Dynasties Period (386-581), Piantiwen (rhyming prose characterized by parallel style and ornate language) prevailed and prose declined.

Some experts claimed that Piantiwen was more concerned with style than with logical argument. Piantiwen has many special features: (i) the whole article is composed of antithetic sentences; (ii) the antithetic sentences are made up of four-character and six-character lines; (iii) in terms of rhythm and tone of words, Piantiwen can be divided into two categories: rhythmic and non-rhythmic; (iv) the articles attach much importance to ornate wording and literary quotation.

Following the Han Dynasty, worship of form was taken to an extreme at the expense of substance, giving rise to the belletristic Piantiwen of the Southern Dynasties Period (420-589), in which balance of rhythm, imagery and tonal patterns reigned supreme. This worship of formal elements created a backlash in the Tang Dynasty (618-907), in which neoclassicists such as Han Yu (768-824) and Liu Zongyuan (773-819) called for a return to substance and the rhetorical styles of the Qin (221-206BC) and the Han (206BC-220AD) dynasties.

From the Tang Dynasty onwards, different schools of writing have offered different takes on the classical language, and literary aesthetics have oscillated between form and substance, and between arch conservatism and the adoption of new grammar and lexicon.

Piantiwen is a unique literature style in China, and it developed from a rhetorical technique of ancient literature. As a new style, it did not have a fixed appellation. The names of Pianwen and Pianliwen did not appear until the Tang Dynasty.

Source: chinaculture.org