Archive for June 2nd, 2009

China Travel – Erlitou Site

Tuesday, June 2nd, 2009

The Erlitou Site, which dates back about 3,500 to 3,600 years ago, is located along the banks of the Luo River in the south of Erlitou Village in Yanshi County, Henan Province.

Discovered in 1959, the Erlitou Site is rich in a culture typical of the period; Erlitou Culture was, in turn, named after the area.

The site is divided into four periods, each with an area of three square kilometers. Remains of two palaces, a residential area, pottery and bronze workshops, and kilns and tombs were excavated at the site.

One of the palaces, which experts believe provided the foundation for Chinese palace architecture, is square in shape and measures 108 meters from east to west, 100 meters from south to north and 0.8 meters in height. Its front yard covers an area of 5,000 square meters, and winding corridors can be found on all four sides of the site.

Cultural relics, such as bronze ware, jade, pottery, stone, bone and mussel wares were unearthed at Erlitou, including the Jue (an ancient wine vessel with three legs and a loop handle), which, so far, has been the earliest bronze vessel ever excavated in China. The exquisite beast-headed bronze plate embedded with turquoise stones reveals a mastery of the enchasing technique.

According to archaeological studies, the Erlitou Site, which existed during the same period as the Xia Dynasty (21st-16th century BC), provides important material for the study of the Xia culture.

There are two schools of thought regarding the relationship between the Erlitou Site and the Xia culture at present. One says that the first and second periods of the site are the deposits from the Xia culture, while the third and fourth periods are the deposit of Bo Capital of the Shang Dynasty (16th-11th century BC). According to the second theory, the Erlitou Site is the city site of the Late Xia Dynasty.

(Source: chinaculture.org)

Chinese Culture – Pu Songling and Strange Tales of Liaozhai

Tuesday, June 2nd, 2009

Pu Songling (1640-1715) was a native of Zichuan County, Shandong Province. He lived in a time of unprecedented sharp class confrontation. Pu Songling was born into an impoverished landlord-merchant family and was constantly unsuccessful in the imperial examinations. He didn’t pass the examination and win the title “gongsheng” until he was 71. His frustrations and indignation drove him to pour out his feelings on paper.

Strange Tales of Liaozhai includes 431 short stories written in classical Chinese. Its content falls into four categories:

(1) Exposing and satirizing of corrupt officials, despotic landlords and the feudal political system represented by these figures. Stories belonging to this category are represented by The Cricket and Xi Fangping. These stories not only lash out at the hypocritical ruling class and feudal bureaucracy, but also depict many indomitable and rebellious common people. The author despised the dark rule of the feudal system and praised the common people’s fighting spirit with well-honed love and hate.

(2) Severely criticizing the rigid and unjust official examination system. In Si Wen Lang, The Bookworm and other stories, the author delineated the examiners’ fatuity and greed, pointing out the shackling and corrosion of intellects’ minds by the examination system, and at the same time condemned the malpractices in the examination rooms.

(3) Tributes to pure and faithful love between men and women, as well as to those who strive for love. Representative stories of this category include The Crow Head and Xihou. Strange Tales of Liaozhai tells many stories about fox-fairies and flower goddesses falling in love with human beings. The author portrays many beautiful female characters of noble mind, such as Hongyu, Yingning, Qingieng, Jiaona and Lianxiang. These women disregard the feudal code of ethics, express their feelings frankly and bravely pursue the improvement of women’s status. The author extols and longs for true love between man and women. This kind of ideal held great progressive significance at the time.

(4) Expounding ethics and morals, with valuable educational significance, such as The Painted Skin and The Taoist Priest of Laoshan.

Strange Tales of Liaozhai is a progressive romantic work. Its romantic spirit is above all reflected in the characterization of positive figures, especially the images of flower goddesses and fox-fairies. Then it is also reflected in the adoption of romantic expressive methods, for example in the plenty of made-up stories. Characters in Strange Tales of Liaozhai are adeptly and all-roundly portrayed. And the language in the novel is fluent, vivid, exaggerate and satirical. Its well-knit structure and intricate plot provide a precious model and resource for writers of later periods.

Source: chinaculture.org

Chinese Character – dream:梦

Tuesday, June 2nd, 2009

dream:

Chinese Pinyin: meng4

(Source: about.com)