Archive for March 11th, 2009

China Travel – Qinglong Cave

Wednesday, March 11th, 2009

The Qinglong Cave is located at the foot of Zhonghe Mountain along the banks of Wuyang River in Zhenyuan County, Guizhou Province.

The Qinglong Cave, the general name for a group of constructions, covers an area of 20,000 square meters. The constructions stretch over one li (0.5 km) from north to south, with more than 100 pavilions, terraces and towers – large and small. The unevenly distributed constructions include the Qinglong Cave, the Zhongyuan Cave, the Wanshou Palace, the Niyan Pavilion and the Censer Rock.

Built in 1490 during the Ming Dynasty (1368-1644), the Qinglong Cave was later destroyed. The present construction group was built during the reigning years of Emperors Guangxu and Xuantong. Forty-five steps from the mountain’s foot lead to the temple entrance. Covering a total area of over 460 square meters, the seven main constructions, listed from lowest to highest, are: the Linggong Hall, the God of Wealth Temple, the Baoshan Hall, the Kwan-yin Hall, the Luzu Hall, the Yuhuang Pavilion and the River-Viewing Building.

Built in the early Ming Dynasty (1368-1644), Zhongyuan Cave’s current constructions were built in the late Qing (1644-1911). Spanning an area of about 845 square meters, the constructions include the main hall, Star-observing Building and Hexagonal Pavilion. The Zhongyuan Cave, the first cave of Guizhou, has six huge carved seals at its entrance.

The Star-observing Building is built on a Thousand-Buddha Rock north of the main hall. Hexagonal in shape, the building has three stories and a pyramid roof. A corridor on the second floor leads to the Book Collection Building in the main hall, and the winding corridor on the ground floor connects leads to the hall’s back yard. A pavilion stands on a stone platform in the south of the hall with a carving of two dragons playing with a huge pearl engraved in its sunken panel.

The Wanshou Hall stands between the Qinglong Cave and the Zhongyuan Cave covering an area of over 740 square meters. It consists of eight constructions, large and small, that include an arched gate, opera tower, wing buildings for watching plays, the Yangsi Hall, an inner stage, guest room, the Xuzhenjun Hall and the Wengong Ancestral Temple. The Wanshou Hall is a multi-layered, rectangular building encircled by tall, fire-heated walls. The main gate is a pagoda-shaped archway six meters high and 16 meters wide. The name Wanshou Hall is represented by three large characters carved on top of the hall. Through the central gate is a rectangular Siheyuan (traditional residential compound with houses around a courtyard) with the General Yangsi Hall in the north, the opera tower in the south and wing buildings in the east and west. The stage is 2.4 meters high and 5.22 meters wide.

Built over the Wuyang River, the Zhusheng Bridge is also part of the Qinglong Cave site. Historical records indicate that Burma envoys passing through Zhenyuan used the bridge often. The huge stone bridge, built in the mid-Ming period, is 135 meters long and 85 meters wide, and contains seven arches. After its completion, the bridge became the thoroughfare used by envoys of Southeast Asian countries visiting Beijing.

(Source: chinaculture.org)

Chinese Conversation – lesson 377

Wednesday, March 11th, 2009

卡西:这些器皿都只用在葬礼上吗?
曼蒂:一开始是的。用在葬礼跟其它重要的仪式上。
卡西:我这样猜是因为这个散氏盘上记载了某种战争故事。
曼蒂:你知道青铜器可以让我们看出中国文字的演进吗?
卡西:有道理。我想青铜器和甲骨都是。
曼蒂:一点都没错。最酷的是,青铜器的功能随着时间改变。

Kathy: Were these all used for funerals?
Maddie: Well, in the beginning, yes. That and other important rituals.
Kathy: I was just wondering because this San Pan basin has some sort of battle story written on it.
Maddie: Did you know bronzes show us the evolution of Chinese characters?
Kathy: That makes sense. Bronzes and oracle bones both, I would guess.
Maddie: Exactly. The cool thing about bronzes is that their functions changed over time.

(Source: wwenglish.com)

Chinese Culture – Running Hand

Wednesday, March 11th, 2009

Preface to the Orchid Pavilion Collection by Wang Xizhi [reproduced by Chu Suiliang]

Xingshu (running hand or semi-cursive script) was something between Lishu (the regular script) and Caoshu (the cursive scripts) in the initial period and now is between Kaishu (the standard script) and Caoshu. No matter which type, when carefully written with distinguishable strokes, the Xingshu characters will be very close to the regular style; when swiftly executed, they will approach the Caoshu. Chinese masters have always compared with vivid aptness the three styles of writing — Kaishu, Xingshu and Caoshu — to people standing, walking and running.

Xingshu is a writing style looser than regular style. This style was created by Liu Desheng in the reigns of Emperors Huan and Ling of the Han Dynasty (206BC-220AD). At the very beginning, it was called Xingya, and later on became an independent form.

Xingshu is considered more abstract and artistic. Writing Xingshu characters is done more quickly than Kaishu but executed with no less care. Xingshu is not as messy as Caoshu, nor as neat as Kaishu. In general, it is convenient and highly practical for writing.

Masterpieces of Xingshu include Preface to the Orchid Pavilion Collection by Wang Xizhi, which was reputed as No.1 Xingshu Work. Unfortunately, the original was not handed down, and the one we see today is only a copy of the original work. Due to the high level of the copier, the copy retains the beautiful, neat style.

Famous Xingshu calligraphers included Cai Xiang, Su Dongpo, Huang Tingjian and Mi Fu in the Song Dynasty (960-1279), who were called Four Masters of the Song Dynasty. In the Ming (1368-1644)) and Qing (1644-1911) dynasties and modern times, many calligraphers good at Xingshu came into being.

Source: chinaculture.org