Archive for January 20th, 2009

Beijing Olympic – Tianjin pours $26b into modern service industry

Tuesday, January 20th, 2009

North China’s port city of Tianjin plans to set up 20 modern service industry clusters at the cost of 199 billion yuan (US$26 billion) in three to five years to boost the sector’s development.

The municipal government has set a goal for the service sector to account for 45 percent of the city’s gross domestic product by 2011.

The priority will be put on boosting a high value-added modern service industry, including financial services, modern logistics, tourism, creative industries and service outsourcing, which are expected to provide more employment, said a spokesman for the municipal government.

In the Tianjin International Trade and Shipping Service Cluster, which is under construction and will cover 128 hectares, customers can enjoy the services of custom clearance, shipping, supervision and control, and they rent offices and accommodation there.

The service outsourcing park in Tianjin Economics and Technology Development Park, will realize annual sales of five billion to six billion yuan (US$650 million to US$780 million) on completion in 2011.

The Binhai New Area of Tianjin, 120 kilometers southeast of Beijing and covering 2,270 sq km, is the pilot reform base and the third economic engine in North China next to southern Shenzhen and eastern Shanghai’s Pudong.

It is also home to eight functional zones under construction, including a high-tech zone, a port logistics zone, an airport logistics zone, a central business district and a resort area, said sources from the Administrative Committee of the Binhai New Area.

The 10-square-kilometer area of Tianjin Port, the largest bonded harbor area in northern China, will become an international free trade zone with focus on international distribution, global procurement and export processing when it is operational by the end of this year.

The modern service industry played a key role in a nation’s economy and would boost China’s social and economic development in the next 10 years, said Professor Chang Xiuze, of the Macro-Economics Institute of the National Development and Reform Commission.

However, China suffered a noticeable imbalance between traditional services, such as catering and and trade, and the modern services, including information, logistics and financial industries, Chang said.

In Beijing, the service sector accounted for 70 percent of the gross domestic product last year, the highest rate in the country, followed by Shanghai at 50.6 percent and Tianjin at 40 percent.

(Source: en.beijing2008.cn)

Chinese Culture – Acrobatics in Chinese Ancient Art Works

Tuesday, January 20th, 2009

 

In ancient Chinese arts and crafts, we can often see vivid images of acrobatics and painters also like to draw pictures about acrobatic performances. Some valuable works of art handed down faithfully depicts acrobatic development at that time and  also shows the important position of the art of acrobatics in people’s life.

 

The mural An Outing by the Lady of Song, found in Dunhuang Mogao Grottos

The mural An Outing by the Lady of Song of the Tang Dynasty (618-907) depicts the grand scene of a peeress’s outing. Walking in front of the large procession is an acrobat doing pole balancing with four young boy doing stunts. These figures are vivid, lively and vigorous. This piece of work is the most complete acrobatic mural.

 

Qishi Dangong (Lacquered Slingshot) of the Tang Dynasty depicts a splendid scene of an acrobatic performance. The work has seven sections, including singing and dancing performance, pole balancing, people pyramid and pole balancing with three people scrambling and one girl in a plate on top of the pole and so on.

 

The Hoop-Handle Silver Pot of the Tang Dynasty, unearthed in the southern suburb of Xi’an in Shaanxi Province in 1997, is a pot that imitates the appearance of a leather bag. This pot has a decorative design of a horse on both sides of the pot body with a ribbon around its neck and its tail flowing in the air. The horse holds a drinking cup in its mouth — an allusion to poetry from the period describing the “dancing horses”.

 

Bianqiao Huimeng Tu (Alignment at Temporary Bridge) drawn by Chen Sheli of the Liao Dynasty (916-1125) is a large-scale picture scroll depicting the alignment between Tang Emperor Li Shimin and Khan Jieli of the Turks nationality in 626 at a temporary bridge over Weishui River. At the very beginning of the picture is splendid horsemanship performance. The picture scroll not only vividly depicts the excellent horsemanship of the Tang Dynasty but also records the importance of horsemanship in this political event.

 

Horsemanship Color-Blazed Ceramic Pillow of the Song Dynasty (960-1279), kept in the Palace Museum in Beijing, vividly depicts the performance of horsemanship, which reflects the horsemanship level and people’s love for horsemanship in the Song Dynasty.

 

Ming Emperor Xianzong Makes Merry

Ming Emperor Xianzong Makes Merry, a picture roll painted in 1485 in the Ming Dynasty (1368-1644), specially describes the acrobatic performances in the imperial court of that time. The work is divided into three parts, with each part focusing on one theme.

 

Many drawings about folk customs took acrobatics as their subject matters, such as Baxian at Yuyuan Garden, and Dancing Lions, etc., painted by Wu Youru at the end of the Qing Dynasty (1644-1911), paintings about acrobatics in the Qing Dynasty collected by Mr. Cheng Yanqiu during his lifetime, and so on.

Source: chinaculture.org

Chinese Pinyin – bi (薜)

Tuesday, January 20th, 2009

薜  [bì]

国标码:DEB5 部首:艹 笔画:16 笔顺:1225132514143112
Ficus pumila
(Source: dict.cn)