Archive for July 8th, 2008

Children Chinese – Giant panda

Tuesday, July 8th, 2008

The giant panda is also known as the panda bear, bamboo bear, or in Chinese as Daxiongmao, the “large bear cat.” In fact, its scientific name means “black and white cat-footed animal.”

Giant pandas live in dense bamboo and coniferous forests at altitudes of 5,000 to 10,000 feet. The mountains are shrouded in heavy clouds with torrential rains or dense mist throughout the year.

Giant pandas have existed since the Pleistocene Era (about 600,000 years ago), when their geographic range extended throughout southern China. Fossil remains also have been found in present-day Burma.

Giant pandas are bear-like in shape with striking black and white markings.The ears, eye patches, legs, and shoulder band are black; the rest of thebody is whitish. They have a thick, woolly coat to insulate them from the cold. Adults are 4 to 6 feet long and may weigh up to 350 pounds, about the same size as the American black bear. However, unlike the black bear,giant pandas do not hibernate and cannot walk on their hind legs.

Giant pandas are among the rarest mammals in the world — there are probably fewer than 1,000 left in the wild. Although adult giant pandas have few natural enemies, the young are sometimes preyed upon by leopards.

The panda’s habitat is danger because of the distrucation of the forest. China’s rising population makes the need need for more land. The chinese goverment has 11 national parks set for the panda bear.

Giant pandas are victums of poaching, or illegal killing, as their
dense fur carries a high price in illegal markets in the Far East. The
Chinese government has imposed life sentences for those convicted of
poaching giant pandas.

The low reproductive capacity of the giant panda makes it more vulnerable to these threats, and less capable of rebounding from its low numbers.

In 1984, due to its dwindling numbers, the U.S. Fish and Wildlife Service
listed the giant panda as an endangered species under the Endangered Species Act. This means it is considered in danger of extinction throughout all or a significant portion of its range. This protection also prohibits giant pandas from being imported into the U.S. except under certain conditions.

(Source: ancienthistory.mrdonn.org)

Beijing Olympic – Olympic preparation exhibition in Qinhuangdao (photos attached)

Tuesday, July 8th, 2008
Olympic preparation exhibition in Qinhuangdao (photos attached)
The BOCOG officials present books to the students of Qinhuangdao

 

(BEIJING, June 20) — Qinhuangdao, a co-host city of the Beijing 2008 Olympic Games launched an exhibition on the preparatory work for the Games on Tuesday.

On a floor space of 1,500 square meters, the one-week exhibition will show the visitors a number of photographs and objects, many of which are displayed for the first time.

The exhibition gives a clear picture of the work of the Beijing Organizing Committee for the Games of the XXIX Olympiad (BOCOG) in the past six years, highlighting the progress of the Olympic preparations and the campaign to promote good manners and civility.

In conjunction with the exhibition, the city will hold a series of activities to publicize the Olympics, including a series of Olympic lectures and “cultural forums” to arouse citizens’ enthusiasm for the Games and encourage them to take part in them.

At the launching ceremony, BOCOG officials presented copies of the Olympic Reader and other education materials to the city.

The exhibition was first opened in Beijing from April 28-May 7, where it received a warm welcome from the public.

Olympic preparation exhibition in Qinhuangdao (photos attached)
The model of the Olympic Sports Center Gumnasium attracts the local visitors

 

Olympic preparation exhibition in Qinhuangdao (photos attached)
Local students view the model of the “water Cube”
(Source: en.beijing2008.cn)

Chinese Culture – Porcelain Pillows

Tuesday, July 8th, 2008

 

Pillows are necessities in people’s daily life. Chinese ancient pillows were first made of natural stones and later the materials used extended to wood, jade, bronze, bamboo, porcelain and so on. Among all these pillows, porcelain pillows were most widely used. Just like other daily-used pillows, porcelain pillows came into being with the development of porcelain-making crafts.

 

 

Porcelain pillows first appeared in the Sui Dynasty (581-618) and their mass production began in the Tang Dynasty (618-907). Porcelain pillows reached the climax in terms of production and use in the Song, Jin and Yuan dynasties (10th-14th century) and gradually phased out in the Ming and Qing dynasties (1368-1911) with the emergence of better pillow-making materials.

 

In the development of porcelain pillows, the ones made in Cizhou Kiln in the north during the Song Dynasty (960-1279) were the most representative. Porcelain pillows produced in this period feature a great variety and elegant modeling, including the geometrical shape, animals, architectures, human figures and other shapes. They also have colorful decorative patterns, and usually included the patterns of animals, plants, human figures, mountains and waters, and characters, etc. The modeling and decorative patters on the pillows directly or indirectly reflect the culture, customs, fashions, and pursuits of the social life at that time.

 

Decoration techniques of porcelain pillows were different from each other in accordance with different dynasties and producing areas. Before the Tang and Five Dynasties period (7th -10th century), porcelain pillows were mainly of module imprint and careful carving; in the Song and Jin period (10th-13th century), porcelain pillows featured paintings and more complicated decoration techniques. With further improvement of porcelain-making skills and decoration techniques, porcelain pillows demonstrated more and more beautiful arts and crafts.

 

Besides Cizhou porcelain pillows, many well-known kilns in different places of China all ever produced fine porcelain pillows, which featured different designs and decorations of glaze and lines and whose styles as a whole were consistent to their corresponding dynasties and characteristics of kilns.

Source: chinaculture.org