Archive for February 28th, 2008

China Travel – Dr. Sun Yat-sen’s Mausoleum

Thursday, February 28th, 2008

Known as “Zhongshan Ling” in Chinese, Dr. Sun Yat-sen’s Mausoleum is situated on Zhongshan Mountain (Bell Mountain)in the eastern suburb of Nanjing, capital city of Jiangsu province. The mountain is also called Zijin Moutain (The Purple Gold Mountain) because of the purple clouds that often hang over its peaks. With its many green pines and cypresses, blue tiles and silvery walls, the mausoleum offers a sublime and majestic view.

The question remains to be answered as to why the mausoleum is located on Zijin Mountain , especially since Dr. Sun Yat-sen, who was born in Chanxiangshan of Guangdong province and died in Beijing, stayed in Nanjing for only a short time. Perhaps the answer can be found in one of his trips to Zijin Mountain.

In March 1912, when Dr. Sun was the provisional president of the then Republic of China, he once went hunting on Zijin Mountain with Hu Hanmin and others. As he gazed at the winding Qinhuai River, followed by the green mountains behind, the Ming Dynasty Tomb to the left and Linggu Valley to the right, he smiled and said to his close attendants, “The day I die, I wish to rest my body down here.”

In March 1925, Dr. Sun fell seriously ill and was on his deathbed. As he was sleeping, his wife Song Qingling, He Xiangning and Wang Jingwei began to talk about his funeral. Wang suggested his remains be buried on Jingshan Mountain in Beijing. At that very moment, Dr. Sun woke up and said, “No, no, I want myself to be buried on Zijin Mountain.” Everyone present was astonished and immediately consented to his request, though none of them knew where the so-called Zijin Mountain was located.

After his death on March 12, 1925, his coffin was temporarily put in the Fragrant’s Mountain’s Temple of Azure Clouds, while the mausoleum was being built on the southern slope of Zijin Mountain, according to his will. A grand foundation-laying ceremony was held. In 1928, the Kuomintang government designated the entire Zijin Mountain as the Sun Yat-sen Mausoleum and upon completion of the mausoleum, Dr. Sun’s coffin was brought from Beijing to be buried there. In 1961, the mausoleum was

declared by the State Council to be a key protective unit of cultural relics.

The south-facing mausoleum covers an area of over 80,000 square meters, and includes the semi-circle square, the memorial archway, the passway, the gate hall, the tablet pavilion, the sacrificial hall and the coffin chamber. All the buildings in the mausoleum’s layout are arranged on a north to south axis. The Ming Dynasty Tomb (Ming Xiao Ling) is located nearby. Visitors cherish the memory of Dr. Sun by paying respects to his remains.

The mausoleum was designed in the shape of an alarm bell, reflecting Dr. Sun’s idea of “evoking the mass people to build the Republic of China“. The bronze statue of his image at the foot of the mountain is the spire of the bell,and the semi-circle square in front of the entrance resembles the arch top of the bell. The main memorial hall’s vault looks like the pendulum. The huge bronze Ding (an ancient cooking vessel with two or three loop handles), a symbol of power in ancient times is seen as the hand of the bell.

A granite memorial archway, or Paifang which is inscribed with two Chinese characters written by Dr. Sun with the meaning of “fraternity”, leads to the mausoleum grounds.Immediately behind is a 375-meter-long and 40-meter-wide pathway leading slightly up the hill to the formal gate hall with three arched entrances. On the upper part of the gate is inscribed four Chinese characters written by Dr. Sun, meaning, “the nation is people’s nation and everyone shall serve the nation selflessly” (Tian Xia Wei Gong). From here the pathway leads up a wide stairway consisting of 392 steps and 8 terraces to the main memorial hall at the top. From the top, none of the terraces can be seen while from the top, none of the steps can enter the eyes This can be viewed as an engineer reflection of Dr. Sun’s philosophy of all people being equal.

Inside the gate hall, there is a pavilion which houses Dr. Sun’s memorial tablet, a huge stone stele about 6 meters in height. Behind this and at the end to steps is the main memorial hall, consisting of the sacrificial hall and the coffin chamber. On the eighth terrace there is a pair of ancient Chinese ornamental columns (Huabiao), standing respectively on each side of the 12.6 meters high memorial hall.

The sacrificial hall is actually a palace with three entries, with the inscriptions of “nationalism” “civil rights” and “people’s livelihood” respectively on each entry. The hall’s ceiling is tiled with a flag of the Republic of China, which Dr. Sun Yat-sen established in 1911. In the center of the hall sits the 4.6-meter-high marble statue of a sitting Dr. Sun Yat-sen. On the four sides of the statue there are relief sculptures reflecting Sun’s glorious revolutionary life. The walls of the hall are decorated with the full text of “The Guidelines for Establishing a Nation” written by Dr. Sun and “The Premier’s Will” compiled by Huhanmin, etc. Visitors will not only learn of Sun’s efforts and achievements in overthrowing the feudal system, but also his ideology about the independence, prosperity and development of the country.

North to the sacrificial hall is the circular coffin chamber, the resting place of Sun’s remains. They lie in a rectangular marble stone coffin capped with a reclining sculpture of Dr. Sun , which is the work of a Czechic sculptor. The coffin sits in a sunken circular pit with a diameter of 4 meters and a height of 5 meters so that visitors can gaze down on it as they circle around in silence.

Over the last three decades, Dr. Sun Yat-sen’s Mausoleum has witnessed enormous changes. The whole mausoleum and its memorial buildings have been extensively renovated several times. Tourists to Nanjing usually visit the mausoleum and pay their respects to Sun Yat-sen, the great revolutionist. Endowed with rolling hills, a vast sea-like forest, many sights and rich resources, the mausoleum is majestic and magnificent. With the unique and successful design, the mausoleum has been dubbed “the First Mausoleum in the History of Modern Architecture “.

(Source: chinaculture.org)

Beijing Olympic – Spielberg decision to quit ‘regretful’

Thursday, February 28th, 2008

The government Thursday expressed regret over the decision by Hollywood movie director Steven Spielberg to quit as an artistic advisor to the Beijing Olympics.

The American announced his decision on Wednesday, citing concerns over the humanitarian crisis in Darfur, which he linked to China.

“We express regret (for his decision),” Foreign Ministry spokesman Liu Jianchao said

Thursday at a regular briefing.

Responding to recent remarks by some Westerners linking China to Darfur, Liu said China has “noticed these or those discussions and moves on China’s stance on Darfur”.

“It is understandable if some people do not understand the Chinese government’s policy on Darfur,” he said. “But we can’t accept that some people want to use this as an opportunity to link Darfur to China’s Africa and Sudan policies, and even to the Beijng Olympic Games.”

Liu said China has been working with the United Nations to resolve the Darfur crisis.

“China is also concerned about the humanitarian crisis there, but we have been playing a positive and constructive role in promoting peace in Darfur.”

China has so far offered $11.1 million in humanitarian aid to Sudan, Liu said. Chinese firms have also offered aid.

China National Electric Equipment Corporation has completed 18 small-scale power plants in Darfur and two more are under construction.

In addition, Beijing will send 315 engineering troops to the region, 140 of which have already arrived.

Last year, when Sudan and the UN differed over the deployment of hybrid peacekeeping forces, China sent a special envoy several times to Khartoum to persuade the government to accept the UN resolution.

“On the issue of Darfur, empty rhetoric will not help,” Liu said. “What is more important is to do more things to help with the peace process there and alleviate the humanitarian crisis.”

In an article summarizing the response of the Chinese public to the decision by Spielberg and some other Westerners to boycott the Beijing Olympics, the Chinese-language current affairs newspaper Global Times Thursday said the moves have “disgusted” ordinary Chinese.

“Western exploitation of the Olympics to pressure China immediately provoked much disgust among ordinary Chinese people,” the paper said.

“The vast majority of Chinese people have expressed bafflement and outrage at the Western pressure. In ordinary Chinese’ eyes, it is totally ridiculous to place the Darfur issue, so many thousands of kilometers away, on China’s shoulders,” it said.

The newspaper quoted Professor Jin Canrong from the Renmin University of China as saying that linking Darfur to the Olympics shows some Western countries were exploiting their “media hegemony” to whip up prejudice.

“Whoever uses this humanitarian issue to criticize China and put pressure on China gains something of a halo,” Jin was quoted as saying.

“The West has seized on China’s tremendous emphasis on the Olympic Games to criticize China.”

(Source: ebeijing.gov.cn)

Chinese Culture – Su Embroidery

Thursday, February 28th, 2008

Suzhou or “Su” embroidery is one of the oldest embroidery techniques in the world, with origins stretching back more than 2,000 years. Suzhou embroidery was one of the first embroidery styles to be developed in China, but its detailed needlework and intricate images are still produced today. It is a style characterized by brightly colored silk embroidered with well-proportioned and uncluttered representations of almost any pastoral scene, person, animal, or object. Examples of Suzhou embroidery were so detailed and intricate that many people used the pieces as artwork, and some of the oldest pieces still in existence date back hundreds of years.There are records of detailed embroidered pieces being produced in the Suzhou area around 200 BC, and of embroidered silk being used as maps in the second and third century AD. But it was during the Song Dynasty (960-1279) that the Suzhou style became prominent. With finely spun silk thread embroiders from the Suzhou area were able to create images that were said to have “rivaled nature,” and it became very stylish to have Suzhou embroidery in the home. Embroidery spread to other provinces throughout China, and soon embroiderers all over the country were working were working in the Suzhou style. Although other techniques of Chinese embroidery have appeared over the years, it is the Suzhou style that has set the standard for other styles.

Suzhou embroidery consists of very detailed representations of almost any subject embroidered onto fine silk with silk thread. One of the distinctive features of Suzhou embroidery is that some pieces two-sided; that is, the picture is repeated on both sides of the embroidered piece. The stitching on Suzhou embroidered pieces is done with silk threads that have been divided until the actual thread is almost impossible to see. Through the repetition of stitches a very dense embroidering occurs. Suzhou embroidery has been used in clothing, wall hangings, and even intricate book covers dating back almost 1,000 years.

Suzhou embroidery as a technique has continued to grow and develop. In the years since its first appearance, many crafting schools have taught the technique, and an entire industry has developed to produce Suzhou embroidery pieces for sale both in China and on world markets. However, Suzhou embroidery is not just a commercial enterprise; master Suzhou embroiderers have practiced their craft for hundreds of years, creating some of the most detailed and beautiful pieces.

Whether you buy a Suzhou embroidered piece made recently or search for a piece with more history, Suzhou embroidery remains one of the world’s finest techniques. Many people around the world are now discovering the beauty and artistry inherent in these pieces, and it seems clear that the market for Suzhou embroidery will remain strong for years to come.

(Source: chinaculture.org)