Archive for January 22nd, 2008

Chinese Culture-Performance Art

Tuesday, January 22nd, 2008

Can all human performances be defined as art? The following is a brief definition of performance art: Using the body as the basic material for performance to communicate with objects and environments through an artist’s own experience while expressing a non-visual aesthetic connotation. Essentially, performance art is a form of art created by an artist’s thoughts and actions.

Performance art, which is a unique phenomenon in modern society, is rooted in western culture. Its founder is a Frenchman called Kolaen, who created human pens by falling from a tall building in 1961.

Performance artists express their views towards the world in exaggerated ways. While many of their performances are beautiful, some are ugly; both are uncommon in normal life.

Since performance art contradicts China’s aesthetic perspective, moral standard and social traditions, it has stirred much controversy. During its development, some people choose extreme forms of self-expression, such as self-mutilation and self-abuse, to challenge the limits of humanity and morality.

Spreading from western countries, performance art emerged in China in 1985 during the Neo-Art Period. Young artists who opposed art and culture in the 1980s tried to obtain spiritual liberation, which ran against the spiritual oppression of the Cultural Revolution.

Performance art in the 1990s was classified into two forms: social activities joined by artists and individual performances exhibiting an artist’s living state.

The former involved many social aspects and a large number of participants. However, since this kind of performance encountered resistance from society, markets and law, thus became difficult to organize large-scale activities.

Artists, therefore, became more in favor of the latter. Some prominent creations include: Zhao Bandi, who talked about environmental issues with a toy panda; Su Yong, who courted plants on Valentine’s Day; and Wang Jin, who married a mule. Such behavior was considered quite grotesque.

As an art form in the multicultural society, performance art has entered our lives naturally. However, when life is exhibited as art, we are surprised and our sense and spiritual limits are greatly challenged. Performance artists inquire via art: Who are we? What are we doing here and where are we going? Performance art has made defining art difficult.

(Source: chinaculture.org)

Beijing Olympic – Vienna New Year’s Concert cheers for Beijing 2008

Tuesday, January 22nd, 2008

Vienna New Year’s Concert cheers for Beijing 2008
Vienna New Year’s Concert

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(BEIJING, January 29) — The world famous Vienna New Year’s Concert on January 1, 2008 delivered a surprise for China. The concert changed its tradition of not generating publicity for any event by performing Chinese Gallop by Johann Strauss Sr., allowing the whole world to feel China’s growing development and prosperity.

What’s more astonishing is that young Chinese musician Lang Lang was invited as a guest to attend the concert. He not only introduced the background of Chinese Gallop, but also greeted the world in English on behalf of the Vienna Philharmonic Orchestra.

After arduous efforts made by Dr. Wang Jian of Austrian Lianyi Communication Co., Ltd., the Vienna Concert broke with tradition to create publicity for the Beijing Olympic Games. Dr. Wang communicated with the Vienna Philharmonic Orchestra and let them know that the 2008 Olympic Games is a fabulous event not only because it is held in China but also because it is the first time the Olympic Games will be held in a developing country.

The Orchestra was touched by Dr. Wang and Chinese enthusiasm about the Olympic Games. After many discussions over the several proposals, the Orchestra finally decided to play Chinese Gallop.

After hard work and intense preparation, on January 1, 2008, as the third program from the end, Chinese Gallop was performed in the Gold Hall of Vienna and Lang Lang’s voice was heard all over the world,

“Ladies and gentlemen, now you are watching Vienna 2008 New Year’s Concert. The Vienna Philharmonic Orchestra prepared a special gift for the Beijing Olympic Games. The next program is Chinese Gallop by Johann Strauss Sr. This song was made in 1827 when he was 23 years old. Let’s wish great success for the Beijing 2008 Olympic Games.”

The Vienna New Year’s Concert is broadcast to the world on New Year’s Day every year. It is watched by more than three billion audiences in 57 countries.

 (Source: en.beijing2008.cn)

Chinese Pinyin – Episode4 (1)

Tuesday, January 22nd, 2008

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